1 00:00:19,560 --> 00:00:21,690 AH, STOPPED FOR GAS, 2 00:00:21,730 --> 00:00:24,440 I ALMOST KILLED SOME NON‐ENGLISH‐SPEAKING REFUGEE 3 00:00:24,460 --> 00:00:26,700 WHO HAD THE BALLS TO RAISE THE PRICE 4 00:00:26,730 --> 00:00:28,100 ANOTHER NICKEL A GALLON 5 00:00:28,130 --> 00:00:30,270 WHILE I'M STANDING ON THE PUMP. 6 00:00:30,300 --> 00:00:32,070 SO, HOW'D IT GO LAST NIGHT? 7 00:00:32,100 --> 00:00:33,270 WHAT, WITH CYNTHIA? 8 00:00:33,300 --> 00:00:34,700 IT WAS GOOD. 9 00:00:34,740 --> 00:00:36,640 SO YOU GOING TO SEE HER AGAIN? 10 00:00:36,680 --> 00:00:39,380 ACTUALLY, WE'RE TALKING ABOUT TONIGHT. 11 00:00:39,410 --> 00:00:42,080 D.O.A. IN THE ALLEY. DAY MANAGER SAW HIM. 12 00:00:42,110 --> 00:00:44,080 PLUS, SOME WAITRESS WORKING DOUBLE SHIFT 13 00:00:44,120 --> 00:00:45,260 MAYBE SEEN SOMETHING. 14 00:00:45,280 --> 00:00:46,250 WHERE IS SHE? 15 00:00:46,280 --> 00:00:47,980 Danny: WHERE'S THE BODY? 16 00:00:48,020 --> 00:00:50,290 GO IN THE ALLEY. 17 00:00:53,020 --> 00:00:56,590 LOOK AT ALL THE GARBAGE IN THIS ALLEY. 18 00:00:56,630 --> 00:01:00,100 WAIT, IS THAT ‐‐ 19 00:01:00,130 --> 00:01:02,360 EXCUSE ME. 20 00:01:05,840 --> 00:01:07,780 YOU SEE WHO THIS IS? 21 00:01:07,810 --> 00:01:10,280 YEAH, IT'S YOUR HOMELESS GUY. 22 00:01:10,310 --> 00:01:11,810 IT'S NICHOLAS. 23 00:01:11,840 --> 00:01:15,110 WAIT, HOW'S HE GET HERE WHEN HE'S SUPPOSED TO BE 24 00:01:15,150 --> 00:01:17,490 IN A CELL AT THE STATION HOUSE? 25 00:01:19,650 --> 00:01:22,680 SO, I SEE THE BUM OUT FRONT, TRY AND WAVE HIM OFF, 26 00:01:22,720 --> 00:01:24,120 SO LEN DON'T FLIP OUT. 27 00:01:24,160 --> 00:01:25,830 AFTER LEN EIGHTY‐SIXED HIM? 28 00:01:25,860 --> 00:01:28,300 LEN'S IN BACK ‐‐ OPENING BOXES ‐‐ COMES OUT, 29 00:01:28,330 --> 00:01:30,300 FINDS HIM TELLING THE CUSTOMERS, 30 00:01:30,330 --> 00:01:32,990 "DON'T EAT THE MEAT 'CAUSE IT'S STILL GOT FEELINGS." 31 00:01:33,030 --> 00:01:34,360 LEN DOESN'T LIKE THAT. 32 00:01:34,400 --> 00:01:36,260 NO, LEN GRABS HIM BY THE NECK, 33 00:01:36,300 --> 00:01:38,170 TAKES HIM AROUND THE CORNER ‐‐ 34 00:01:38,200 --> 00:01:41,140 NOW, I KNOW HE STILL HAD THE BOX CUTTER, 35 00:01:41,170 --> 00:01:44,010 BUT I DON'T KNOW IF HE'D KILL ANYONE. 36 00:01:44,040 --> 00:01:46,210 I LEFT SPECIFIC WORD AT THE DESK ‐‐ 37 00:01:46,240 --> 00:01:48,540 MAKE SURE NICHOLAS SLEEPS IN HIS CELL. 38 00:01:48,580 --> 00:01:50,880 BEFORE YOU JUMP DOWN ANYBODY'S THROAT, 39 00:01:50,920 --> 00:01:52,720 MAYBE IT WAS NICHOLAS' IDEA LEAVING. 40 00:01:52,750 --> 00:01:54,780 THE WAITRESS SAYS THE D.O.A. USED THE PAY PHONE OUT FRONT, 41 00:01:54,820 --> 00:01:56,480 THEN HAD A BEEF WITH THE OWNER 42 00:01:56,520 --> 00:01:58,820 WHO MIGHT HAVE STABBED HIM WITH A BOX CUTTER. 43 00:01:58,860 --> 00:02:01,200 HEY, LISTEN, SOON AS CRIME SCENE'S FINISHED, 44 00:02:01,230 --> 00:02:03,740 MAKE SURE AND GET NICHOLAS' SHOPPING CART 45 00:02:03,760 --> 00:02:06,260 UP TO OUR STATION HOUSE. 46 00:02:11,370 --> 00:02:13,230 HEY, SARGE, LAST NIGHT I ARRANGED 47 00:02:13,270 --> 00:02:16,070 FOR A NICHOLAS GILBERT TO STAY IN ONE OF THE CELLS. 48 00:02:16,110 --> 00:02:18,880 YEAH, I CHASED HIM. NARCOTICS MADE A SWEEP, 49 00:02:18,910 --> 00:02:21,180 AND THEY HAD TWO FEMALE PRISONERS. 50 00:02:21,210 --> 00:02:22,240 I NEEDED THE CELL. 51 00:02:22,280 --> 00:02:23,750 I LEFT A VERY SPECIFIC REQUEST. 52 00:02:23,780 --> 00:02:25,310 TO LET A BUM SLEEP IT OFF IN THERE? 53 00:02:25,350 --> 00:02:27,220 WHAT DO YOU THINK THIS IS ‐‐ "MAYBERRY RFD"? 54 00:02:27,250 --> 00:02:28,880 WHAT WAS THE NAME OF THAT TOWN DRUNK? 55 00:02:28,920 --> 00:02:29,990 OTIS. 56 00:02:30,020 --> 00:02:31,220 OTIS. 57 00:02:31,260 --> 00:02:32,530 MAYBE I CAN LEAVE THE KEYS 58 00:02:32,560 --> 00:02:34,200 BY THE DOOR NEXT TIME, SO YOUR BUDDIES 59 00:02:34,230 --> 00:02:35,600 CAN LET THEMSELVES IN AND OUT. 60 00:02:35,630 --> 00:02:36,900 THERE'S A ROSTER UPSTAIRS. 61 00:02:36,930 --> 00:02:38,760 MAYBE YOU COULD'VE CALLED ME AT HOME 62 00:02:38,800 --> 00:02:40,440 AND LET ME COME TAKE CARE OF IT. 63 00:02:40,460 --> 00:02:41,760 IT WAS 1:00 A. M. 64 00:02:41,800 --> 00:02:43,600 BUT I TELL YOU WHAT, NEXT TIME I WILL. 65 00:02:43,640 --> 00:02:44,940 I'LL DEFINITELY WAKE YOUR ASS UP 66 00:02:44,970 --> 00:02:46,230 AND GIVE YOU AN EARFUL. 67 00:02:46,270 --> 00:02:47,370 HEY, THE GUY YOU BOOTED ‐‐ 68 00:02:47,410 --> 00:02:49,010 HE GOT KILLED A COUPLE HOURS LATER. 69 00:02:49,040 --> 00:02:50,740 YEAH, I KNOW. THAT'S WHY I'M STILL HERE 70 00:02:50,780 --> 00:02:52,920 WAITING FOR THE DUTY CAPTAIN SO WE CAN MAKE OUT A 49. 71 00:02:52,940 --> 00:02:55,240 THIS IS EXACTLY THE WAY I WANTED TO SPEND MY MORNING. 72 00:02:55,280 --> 00:02:57,580 THE GUY WHO KILLED HIM IS MOST LIKELY THE GUY 73 00:02:57,620 --> 00:02:59,960 I WAS TRYING TO PROTECT NICHOLAS FROM, 74 00:02:59,980 --> 00:03:01,550 BY KEEPING HIM SAFE IN HERE! 75 00:03:01,590 --> 00:03:03,430 THEN YOU SHOULD HAVE MADE HIM A MATERIAL WITNESS 76 00:03:03,450 --> 00:03:04,920 AND HAD HIM LODGED SOMEWHERE. 77 00:03:04,960 --> 00:03:07,100 IF YOU WOULD'VE GOT OFF YOUR ASS 78 00:03:07,130 --> 00:03:09,430 AND CALLED ME, HE'D STILL BE ALIVE! 79 00:03:09,460 --> 00:03:12,090 YOU NEED TO HAUL YOUR BABY‐FACED PARTNER UPSTAIRS! 80 00:03:12,130 --> 00:03:13,960 Andy: DON'T ADD FUEL TO THE FIRE, MAHONEY. 81 00:03:14,000 --> 00:03:15,960 YOU ADD ME NOW TO THE LIST OF PEOPLE HERE 82 00:03:16,000 --> 00:03:18,070 THAT THINK YOU'RE AN ASSHOLE! 83 00:03:18,100 --> 00:03:20,300 GET HIM OUT OF HERE BEFORE I LOSE MY TEMPER! 84 00:03:20,340 --> 00:03:23,070 COME ON. WHAT THE HELL IS WRONG WITH YOU? 85 00:04:41,020 --> 00:04:43,020 GUYS? 86 00:04:49,330 --> 00:04:52,140 I TALKED TO THIS LAWYER BILL STEDING. 87 00:04:52,160 --> 00:04:54,800 HE'S GOT NICHOLAS' DAD COMING IN. 88 00:04:54,830 --> 00:04:56,060 WHAT WENT ON DOWNSTAIRS? 89 00:04:56,100 --> 00:04:57,700 YOU MEAN, WITH MAHONEY? 90 00:04:57,740 --> 00:04:59,410 HE'S A BOSS. HE MAKES A CALL, 91 00:04:59,440 --> 00:05:01,750 YOU COULD WIND UP BACK IN THE BAG. 92 00:05:01,770 --> 00:05:02,740 MAHONEY SCREWED UP. 93 00:05:02,770 --> 00:05:04,040 LAST NIGHT, 94 00:05:04,080 --> 00:05:05,580 I LEAVE NICHOLAS IN A CELL FOR SAFEKEEPING. 95 00:05:05,610 --> 00:05:08,040 MAHONEY CHASES HIM AND NICHOLAS WINDS UP DEAD. 96 00:05:08,080 --> 00:05:10,250 WELL, YOU BOUGHT YOURSELF A PROBLEM. 97 00:05:10,280 --> 00:05:13,920 BOSS, DON'T MAKE ME GO DOWN THERE AND APOLOGIZE. 98 00:05:13,950 --> 00:05:16,080 LET ME TALK TO MAHONEY. 99 00:05:16,120 --> 00:05:18,490 SO WHERE ARE WE ON NICHOLAS? 100 00:05:18,520 --> 00:05:19,920 YESTERDAY, HE GIVES UP 101 00:05:19,960 --> 00:05:22,090 DIEGO AND MAURICIO FOR WHACKING THIS JEFE. 102 00:05:22,130 --> 00:05:24,440 BEING MAURICIO SPENT THE NIGHT IN THE SYSTEM 103 00:05:24,460 --> 00:05:25,830 LEAVES DIEGO AS A CANDIDATE. 104 00:05:25,860 --> 00:05:27,660 MEDAVOY AND JONES ARE BRINGING MAURICIO BACK 105 00:05:27,700 --> 00:05:28,930 FROM RIKERS. 106 00:05:28,970 --> 00:05:30,910 MAYBE LET THEM GO FRESH AT HIM 107 00:05:30,940 --> 00:05:32,340 ON LOCATING DIEGO. 108 00:05:32,370 --> 00:05:33,870 SURE. THERE'S ALSO THE OWNER OF THE DINER, 109 00:05:33,910 --> 00:05:35,210 THIS LEONARD PLUTO. 110 00:05:35,240 --> 00:05:37,110 THE WAITRESS SEES HIM AND NICHOLAS 111 00:05:37,140 --> 00:05:38,570 GO AT IT OUT IN FRONT, 112 00:05:38,610 --> 00:05:41,040 AND PLUTO'S HOLDING A BOX CUTTER. 113 00:05:41,080 --> 00:05:42,340 WHAT DOES PLUTO KNOW? 114 00:05:42,380 --> 00:05:43,610 GONE TO ATLANTIC CITY. 115 00:05:43,650 --> 00:05:45,780 WAITRESS GAVE US HIS PAGER, BUT HE HASN'T CALLED BACK. 116 00:05:45,820 --> 00:05:47,290 SHE ALSO SAW NICHOLAS ON A PAY PHONE, 117 00:05:47,320 --> 00:05:49,890 SO WE GOT A PHONE DUMP COMING. 118 00:05:49,920 --> 00:05:51,620 OKAY, LET ME GO TRY 119 00:05:51,660 --> 00:05:54,300 AND CLEAN IT UP WITH MAHONEY. 120 00:06:06,300 --> 00:06:09,070 LISTEN TO THIS ONE ‐‐ "DEAR NICHOLAS, 121 00:06:09,110 --> 00:06:11,380 "I'M WRITING TO ASK YOU ONE MORE TIME 122 00:06:11,410 --> 00:06:12,710 "TO LET ME HELP. 123 00:06:12,740 --> 00:06:14,640 "YOU KNOW I WOULD GIVE MY OWN LIFE 124 00:06:14,680 --> 00:06:15,880 "IF THAT WOULD MAKE YOU OKAY. 125 00:06:15,910 --> 00:06:17,080 "IF YOU WON'T CALL ME, 126 00:06:17,120 --> 00:06:19,090 "PLEASE CALL BILL STEDING. 127 00:06:19,120 --> 00:06:22,630 HIS NUMBER'S ON THE CARD. LOVE, DAD." 128 00:06:22,650 --> 00:06:24,090 I PUT HIM SOMEPLACE BETTER, 129 00:06:24,120 --> 00:06:27,090 MAYBE HIS DAD GETS TO SEE HIM OTHER THAN AT THE MORGUE. 130 00:06:27,130 --> 00:06:28,570 Diane: FOUND THE BOX CUTTER 131 00:06:28,590 --> 00:06:30,490 IN THE KITCHEN, STUCK BEHIND SOME CANS. 132 00:06:30,530 --> 00:06:31,590 SEE ANY BLOOD ON IT? 133 00:06:31,630 --> 00:06:32,930 NOTHING VISIBLE. 134 00:06:32,960 --> 00:06:34,330 CRIME SCENE SENT IT TO THE LAB. 135 00:06:34,370 --> 00:06:37,080 I THINK I'M GOING TO CHECK THE STOP‐AND‐FRISKS, 136 00:06:37,100 --> 00:06:40,370 AND SEE IF ANYTHING JUMPS OUT. 137 00:06:46,310 --> 00:06:49,440 IT'S OKAY. 138 00:06:49,480 --> 00:06:51,450 I SHOULD BRING THAT LITTLE HOTHEAD UP 139 00:06:51,480 --> 00:06:53,350 ON INSUBORDINATION IS WHAT I SHOULD DO. 140 00:06:53,380 --> 00:06:55,920 HE FEELS RESPONSIBLE FOR THIS HOMELESS GUY'S DEATH. 141 00:06:55,950 --> 00:06:59,660 I NEEDED THE CELL, PLAIN AND SIMPLE. 142 00:06:59,690 --> 00:07:02,320 I DIDN'T TOSS THAT BUM FOR NO GOOD REASON. 143 00:07:02,360 --> 00:07:03,830 NO ONE'S SAYING YOU DIDN'T. 144 00:07:03,860 --> 00:07:05,030 SORENSON IS. 145 00:07:05,060 --> 00:07:06,530 HE'S COME DOWN OFF THAT. 146 00:07:06,570 --> 00:07:07,870 LIKE I SAID, 147 00:07:07,900 --> 00:07:09,600 HE'S FEELING GUILTY FOR WHAT HAPPENED. 148 00:07:09,630 --> 00:07:12,170 PLUS, HE'S BEEN GOING THROUGH SOME PERSONAL ISSUES. 149 00:07:12,200 --> 00:07:14,270 YEAH? BOO HOO HOO. 150 00:07:14,310 --> 00:07:15,780 MUST BE A ROUGH TRANSITION 151 00:07:15,810 --> 00:07:17,550 GOING FROM BANGING FRANCO UP IN ANTI‐CRIME 152 00:07:17,580 --> 00:07:18,880 OVER TO BANGING RUSSELL. 153 00:07:18,910 --> 00:07:20,340 PEOPLE GOT EYES AROUND HERE. 154 00:07:20,380 --> 00:07:21,940 DID I COME DOWN TO TALK ABOUT THAT? 155 00:07:21,980 --> 00:07:23,780 DID I NEED TO HAVE SORENSON CALL ME AN ASSHOLE 156 00:07:23,820 --> 00:07:25,790 IN FRONT OF THIS WHOLE STATION HOUSE? 157 00:07:25,820 --> 00:07:26,960 SCREW HIM. 158 00:07:26,990 --> 00:07:28,960 NICE 5‐DAY RIP MIGHT DO HIM GOOD. 159 00:07:28,990 --> 00:07:30,530 A COUPLE OF YEARS AGO, 160 00:07:30,560 --> 00:07:32,330 I CAME DOWN LOOKING FOR A VOUCHER. 161 00:07:32,360 --> 00:07:34,070 I RECALL FINDING A COUPLE OF FLUTES 162 00:07:34,090 --> 00:07:35,320 IN YOUR DESK DRAWER. 163 00:07:35,360 --> 00:07:36,660 DID I BUST YOU FOR IT? 164 00:07:36,700 --> 00:07:38,140 OR DID I POUR IT DOWN THE SINK 165 00:07:38,160 --> 00:07:39,630 AND LEAVE IT AT THAT, 166 00:07:39,660 --> 00:07:42,460 OTHER THAN REMINDING YOU IT WASN'T 1965 ANYMORE? 167 00:07:42,500 --> 00:07:44,070 SO WHY DON'T WE 168 00:07:44,100 --> 00:07:45,970 KEEP THIS ONE IN THE FAMILY, TOO? 169 00:07:46,000 --> 00:07:49,970 THAT BOOZE ‐‐ LATER, I CAME TO YOU 170 00:07:50,010 --> 00:07:52,510 AND, LIKE A MAN, I GAVE AN APOLOGY. 171 00:07:52,540 --> 00:07:55,610 YOU CAN EXPECT ONE FROM SORENSON. 172 00:08:03,520 --> 00:08:05,920 CHECK OUT MAURICIO, ALL BUFFED UP. 173 00:08:05,960 --> 00:08:08,770 GOT HIMSELF A SHAVE, A HAIRCUT, 174 00:08:08,790 --> 00:08:10,760 GOOD MEAL IN HIM 175 00:08:10,800 --> 00:08:12,940 WITH ALL THOSE ESSENTIAL VITAMINS AND MINERALS. 176 00:08:12,960 --> 00:08:15,100 GOT TO MAKE PRISON WORK FOR YOU. 177 00:08:15,130 --> 00:08:17,270 THAT'S WHAT I KEEP TELLING THOSE FOOLS, 178 00:08:17,300 --> 00:08:18,570 WASTING THEIR TIME 179 00:08:18,600 --> 00:08:20,070 READING LAW BOOKS IN THE LIBRARY. 180 00:08:20,100 --> 00:08:21,740 LET IT GO, MAN. 181 00:08:21,770 --> 00:08:24,240 GOT EVERYTHING YOU NEED IN THERE, 182 00:08:24,280 --> 00:08:25,750 EXCEPT WOMEN. 183 00:08:25,780 --> 00:08:27,250 THERE'S WAYS AROUND THAT. 184 00:08:27,280 --> 00:08:28,580 SO YOU CAN DO THE TIME. 185 00:08:28,610 --> 00:08:30,950 I CAN DO WHATEVER, MAN. 186 00:08:30,980 --> 00:08:32,380 SO, WHAT WE DOING TODAY? 187 00:08:32,420 --> 00:08:34,390 TODAY'S GOING TO CONSIST OF YOU TELLING US 188 00:08:34,420 --> 00:08:36,590 WHERE TO FIND DIEGO AND US GOING TO PICK HIM UP. 189 00:08:36,620 --> 00:08:38,090 AND IF I DON'T? 190 00:08:38,120 --> 00:08:40,960 WHAT YOU GONNA DO, THROW ME BACK IN JAIL? 191 00:08:40,990 --> 00:08:42,890 HA HA. 192 00:08:42,930 --> 00:08:44,440 WE'RE GOING TO THROW YOU BACK ON THE STREET. 193 00:08:44,460 --> 00:08:46,030 LET'S DO IT. 194 00:08:46,060 --> 00:08:47,800 AFTER WE PUT OUT WORD YOU'RE A RAT. 195 00:08:47,830 --> 00:08:49,260 THAT'S WHY YOU'RE GETTING KICKED. 196 00:08:49,300 --> 00:08:51,200 YOU GAVE US DIEGO. 197 00:08:51,240 --> 00:08:53,080 NICHOLAS GAVE YOU DIEGO. 198 00:08:53,100 --> 00:08:55,770 NICHOLAS IS CRAZY. EVERYBODY KNOWS THAT. 199 00:08:55,810 --> 00:08:56,950 WHO WOULD BELIEVE HIM? 200 00:08:56,980 --> 00:08:58,620 AFTER WE GET WORD OUT TO OUR STOOLS, 201 00:08:58,640 --> 00:08:59,810 WE'RE GOING TO PICK YOU UP 202 00:08:59,840 --> 00:09:01,210 IN FRONT OF ALL YOUR FRIENDS, 203 00:09:01,250 --> 00:09:03,420 AND YOU'RE GOING TO PUT UP A FUSS. 204 00:09:03,450 --> 00:09:05,290 THEN DRIVE YOU AROUND FOR AN HOUR, 205 00:09:05,320 --> 00:09:07,290 STUFF A COUPLE OF $20s IN YOUR POCKET, 206 00:09:07,320 --> 00:09:09,550 AND DUMP YOU BACK OFF WHERE WE GOT YOU. 207 00:09:09,590 --> 00:09:11,450 SAME DRILL EVERY DAY, 208 00:09:11,490 --> 00:09:13,450 AND AFTERWARDS WE'RE GOING TO HAVE 209 00:09:13,490 --> 00:09:15,960 OTHER DETECTIVES COME BY AND GRAB EVERYBODY BUT YOU, 210 00:09:15,990 --> 00:09:17,290 AND THEY'LL TELL THEM 211 00:09:17,330 --> 00:09:18,660 THEY'RE LOOKING FOR A GUY NAMED DIEGO 212 00:09:18,700 --> 00:09:21,140 THAT OUR LITTLE FRIEND MAURICIO TOLD US ABOUT. 213 00:09:21,170 --> 00:09:23,440 WE'RE GOING TO TURN YOU INTO A RAT 214 00:09:23,470 --> 00:09:25,940 WHO'S GOT A SIDE DEAL WITH THE COPS, MAURICIO, 215 00:09:25,970 --> 00:09:28,140 AND YOU'LL GET VERY UNPOPULAR VERY QUICKLY, 216 00:09:28,170 --> 00:09:29,500 BELIEVE ME. 217 00:09:29,540 --> 00:09:31,510 OR YOU GIVE US DIEGO ‐‐ 218 00:09:31,540 --> 00:09:34,080 HIS FULL NAME AND WHERE HE IS. 219 00:09:34,110 --> 00:09:36,080 HE GETS RUNG UP FOR KILLING JEFE, 220 00:09:36,110 --> 00:09:37,280 GOES UPSTATE, 221 00:09:37,320 --> 00:09:39,260 AND YOU'LL NEVER SEE HIM AGAIN, 222 00:09:39,280 --> 00:09:41,580 AND YOU'RE BACK ON THE STREET, MY BROTHER, 223 00:09:41,620 --> 00:09:44,490 THE WIND BENEATH YOUR WINGS. 224 00:09:47,560 --> 00:09:50,130 YEAH. 225 00:09:50,160 --> 00:09:52,160 ALL RIGHT! 226 00:09:59,700 --> 00:10:01,670 UH, JOHN GILBERT. 227 00:10:01,710 --> 00:10:04,280 I'M LOOKING FOR DETECTIVE SIPOWICZ. 228 00:10:04,310 --> 00:10:05,710 I'M HERE ABOUT MY SON. 229 00:10:05,740 --> 00:10:07,210 MR. GILBERT, I'M DANNY SORENSON. 230 00:10:07,250 --> 00:10:09,390 MY PARTNER ANDY SIPOWICZ. 231 00:10:09,410 --> 00:10:10,680 HOW DO YOU DO? 232 00:10:10,720 --> 00:10:14,360 THIS IS MY DAUGHTER ELLEN SCOTT. 233 00:10:14,390 --> 00:10:16,490 THAT'S HER HUSBAND ROSS. 234 00:10:16,520 --> 00:10:19,150 HOW ABOUT WE TALK IN HERE? 235 00:10:19,190 --> 00:10:20,990 IS THAT NICKY'S? 236 00:10:21,030 --> 00:10:25,170 UH, YEAH, YEAH, THAT'S HIS CART. 237 00:10:25,200 --> 00:10:27,840 COME ON. 238 00:10:31,240 --> 00:10:32,710 MAHONEY WILL DROP IT, 239 00:10:32,740 --> 00:10:34,310 BUT HE WANTS AN APOLOGY. 240 00:10:34,340 --> 00:10:36,540 SOON AS I CAN GET TO IT. 241 00:10:36,580 --> 00:10:38,580 MAKE IT GOOD. 242 00:10:40,750 --> 00:10:42,220 GET YOU SOME COFFEE? 243 00:10:42,250 --> 00:10:44,390 NO, THANKS. I'M ON MEDICATION. 244 00:10:44,420 --> 00:10:46,060 MY FATHER HAS CANCER, 245 00:10:46,080 --> 00:10:49,820 BUT HE'S GOING TO BEAT IT. 246 00:10:49,850 --> 00:10:52,190 WE'RE, UH, SORRY ABOUT YOUR SON. 247 00:10:52,220 --> 00:10:54,190 WHO WOULD DO SUCH A THING? 248 00:10:54,230 --> 00:10:56,200 WHY WOULD ANYBODY KILL NICKY? 249 00:10:56,230 --> 00:10:58,570 HE GOT STABBED IN AN ALLEY. 250 00:10:58,600 --> 00:11:00,270 WE'RE LOOKING AT A COUPLE OF LEADS. 251 00:11:00,300 --> 00:11:01,600 THIS IS SO AWFUL. 252 00:11:01,630 --> 00:11:04,670 YOU SHOULD HAVE KNOWN HIM BEFORE ALL THIS. 253 00:11:04,700 --> 00:11:06,270 HE WOULDN'T HURT A FLY. 254 00:11:06,300 --> 00:11:08,940 WHEN WAS THE LAST TIME YOU TALKED TO YOUR BROTHER? 255 00:11:08,970 --> 00:11:10,870 ABOUT SIX MONTHS AGO. 256 00:11:10,910 --> 00:11:12,740 HE WAS LIVING BEHIND AN ABANDONED BUILDING. 257 00:11:12,780 --> 00:11:14,750 BUT, UH, HE MOVED SINCE THEN. 258 00:11:14,780 --> 00:11:16,210 HE MOVED A LOT. 259 00:11:16,250 --> 00:11:18,120 LAST, HE WAS STAYING UNDER A BRIDGE. 260 00:11:18,150 --> 00:11:19,780 WE TRIED TO FIND HIM FOR CHRISTMAS, 261 00:11:19,820 --> 00:11:21,220 BRING HIM HOME FOR DINNER 262 00:11:21,250 --> 00:11:22,720 AT OUR PLACE OUT IN SHORT HILLS. 263 00:11:22,750 --> 00:11:24,720 WOULD HAVE MEANT SO MUCH TO MY DAD. 264 00:11:24,760 --> 00:11:26,360 THAT THE LAST TIME YOU TALKED TO HIM, ROSS? 265 00:11:26,390 --> 00:11:27,590 YEAH, SAME AS ELLIE. 266 00:11:27,630 --> 00:11:29,430 UM, I NEVER GOT TO KNOW HIM, REALLY. 267 00:11:29,460 --> 00:11:31,030 NICK WAS ALREADY PRETTY FAR GONE 268 00:11:31,060 --> 00:11:32,860 WHEN ELLEN AND I STARTED GOING OUT. 269 00:11:32,900 --> 00:11:36,710 WHAT HAPPENED TO HIM, YOU DON'T MIND MY ASKING? 270 00:11:36,740 --> 00:11:39,080 FRESHMAN YEAR AT BROWN, 271 00:11:39,100 --> 00:11:41,570 HE STOPPED GOING TO CLASS, 272 00:11:41,610 --> 00:11:44,620 GOT PARANOID, STARTED MUMBLING TO HIMSELF, 273 00:11:44,640 --> 00:11:46,810 WEARING HEAVY WOOLEN GLOVES AND THE HOODED SWEATSHIRT 274 00:11:46,850 --> 00:11:48,820 EVEN WHEN IT WAS HOT, 275 00:11:48,850 --> 00:11:52,420 AND SUNGLASSES ‐‐ DAY AND NIGHT, SUNGLASSES. 276 00:11:52,450 --> 00:11:54,750 WE THOUGHT IT WAS A PHASE. 277 00:11:54,790 --> 00:11:57,260 WE THOUGHT IT WAS ADOLESCENT DISAFFECTION. 278 00:11:57,290 --> 00:12:00,120 OH, IT WAS SO HARD ON MY WIFE. 279 00:12:00,160 --> 00:12:01,960 YEAH, I'LL BET. YOU DON'T KNOW 280 00:12:01,990 --> 00:12:03,760 WHAT IT'S LIKE TO LOSE A SON. 281 00:12:03,800 --> 00:12:09,110 I LOST MINE WHEN HE WAS 24. 282 00:12:09,130 --> 00:12:10,670 I'M SORRY, DETECTIVE. 283 00:12:10,700 --> 00:12:12,800 I DON'T MEAN TO IMPLY 284 00:12:12,840 --> 00:12:15,310 THAT I HAD A MONOPOLY ON GRIEF. 285 00:12:15,340 --> 00:12:16,470 NO. 286 00:12:16,510 --> 00:12:18,320 SOMETIMES, IT FEELS LIKE THAT. 287 00:12:18,340 --> 00:12:19,610 WORST THING WAS 288 00:12:19,640 --> 00:12:21,440 HE DIDN'T HAVE TO DIE LIKE THAT, 289 00:12:21,480 --> 00:12:22,810 DIE LIKE A DOG. 290 00:12:22,850 --> 00:12:24,990 HE COULD HAVE USED SOME OF HIS MONEY 291 00:12:25,020 --> 00:12:26,490 AND AT LEAST HAVE BEEN COMFORTABLE. 292 00:12:26,520 --> 00:12:27,960 WHAT, NICHOLAS HAD MONEY? 293 00:12:27,990 --> 00:12:29,760 WHEN MY WIFE DIED, SHE LEFT ENOUGH 294 00:12:29,790 --> 00:12:32,490 FOR ELLIE AND NICKY TO SET THEM UP FOR LIFE. 295 00:12:32,520 --> 00:12:34,990 I BEGGED HIM. I SAID, "GET A PLACE, 296 00:12:35,030 --> 00:12:37,340 GET LIVE‐IN HELP." 297 00:12:37,360 --> 00:12:42,260 I GUESS HE HAD TO BE OUT THERE. 298 00:12:42,300 --> 00:12:44,700 WELL, I'M NOT FEELING WELL. 299 00:12:44,740 --> 00:12:47,180 I HAVE TO GO NOW. 300 00:12:53,210 --> 00:12:55,840 I'M GOING TO DIE SOON, DETECTIVE. 301 00:12:55,880 --> 00:12:59,510 GET WHO KILLED MY SON. 302 00:12:59,550 --> 00:13:01,620 WE'LL LET YOU KNOW WHEN WE FIND SOMETHING. 303 00:13:01,650 --> 00:13:03,850 Ellen: IF ANYTHING COMES UP, 304 00:13:03,890 --> 00:13:07,720 WE'LL BE IN TOWN AT MY DAD'S. 305 00:13:07,760 --> 00:13:09,220 HOW ABOUT THAT? 306 00:13:09,260 --> 00:13:11,530 THE KID COULD HAVE LIVED ON PARK AVENUE. 307 00:13:11,560 --> 00:13:14,110 HE SLEEPS UNDER A BRIDGE. 308 00:13:24,880 --> 00:13:27,220 I GOT LEONARD PLUTO COMING IN. 309 00:13:27,250 --> 00:13:29,490 HE CALLED FROM THE ROAD, HALFWAY TO ATLANTIC CITY. 310 00:13:29,510 --> 00:13:31,550 WE TOLD HIM THERE WAS A PROBLEM AT HIS DINER. 311 00:13:31,580 --> 00:13:33,080 ANYTHING ON THE BOX CUTTER? 312 00:13:33,120 --> 00:13:35,060 STILL WAITING ON THE LAB. 313 00:13:35,090 --> 00:13:37,060 THIS CAME OFF THE FAX. 314 00:13:37,090 --> 00:13:40,560 THE DUMP FROM THAT PAY PHONE NICHOLAS USED 315 00:13:40,590 --> 00:13:43,320 SHOWS A 7‐MINUTE CALL TO SHORT HILLS, NEW JERSEY 316 00:13:43,360 --> 00:13:44,590 AT 2:30 A. M. 317 00:13:44,630 --> 00:13:46,730 NUMBER BEING THE HOME OF NICHOLAS' SISTER ELLEN 318 00:13:46,770 --> 00:13:48,010 AND HER HUSBAND ROSS. 319 00:13:48,030 --> 00:13:49,360 SOMEONE MUST HAVE TALKED TO HIM. 320 00:13:49,400 --> 00:13:50,930 ALSO, SOMEONE'S LYING WHEN THEY SAID 321 00:13:50,970 --> 00:13:52,900 THEY HADN'T SPOKE TO HIM IN SIX MONTHS. 322 00:13:52,940 --> 00:13:55,410 LET'S GET THE SISTER AND HER HUSBAND BACK IN. 323 00:13:55,440 --> 00:13:57,270 YOU TALK TO MAHONEY? 324 00:13:57,310 --> 00:13:58,610 HAVEN'T HAD A CHANCE YET. 325 00:13:58,640 --> 00:14:00,580 WHEN WILL YOU GET A CHANCE? 326 00:14:00,610 --> 00:14:01,880 MIGHT SOUND BETTER 327 00:14:01,910 --> 00:14:03,710 COMING OUT OF MY MOUTH ONCE I CALM DOWN. 328 00:14:03,750 --> 00:14:06,280 YEAH. OKAY. MAKE IT SOON. 329 00:14:17,600 --> 00:14:19,540 LITTLE, UH, HANKY‐PANKY GOING ON 330 00:14:19,560 --> 00:14:21,760 WITH A COUPLE OF OUR COWORKERS, I GUESS, 331 00:14:21,800 --> 00:14:23,100 HUH, D.? 332 00:14:23,130 --> 00:14:24,600 ALTHOUGH, UH, WHAT I GATHER, 333 00:14:24,640 --> 00:14:26,210 I GUESS IT'S OVER WITH. 334 00:14:26,240 --> 00:14:28,210 WELL, I'M STAYING OUT OF IT. 335 00:14:28,240 --> 00:14:30,440 YEAH, ME TOO. ABSOLUTELY. 336 00:14:30,470 --> 00:14:32,110 THEIR BUSINESS, RIGHT? 337 00:14:32,140 --> 00:14:34,410 IT AIN'T MINE. THAT'S ALL I KNOW. 338 00:14:34,450 --> 00:14:37,760 LESSON TO BE LEARNED THERE. I'LL TELL YOU THAT MUCH. 339 00:14:37,780 --> 00:14:40,080 I HAD TO TELL THAT A. D. A. HAYWARD 340 00:14:40,120 --> 00:14:42,420 TO QUIT HASSLING ME FOR A DATE ALREADY. 341 00:14:42,450 --> 00:14:44,620 [ Laughs ] YOU'RE A PIECE OF WORK. 342 00:14:44,660 --> 00:14:46,630 WHY DON'T YOU ASK HER OUT? 343 00:14:46,660 --> 00:14:47,720 WHY? 344 00:14:47,760 --> 00:14:48,890 BOTH SINGLE. 345 00:14:48,930 --> 00:14:50,100 BOTH BLACK. 346 00:14:50,130 --> 00:14:52,130 DON'T GIVE ME THAT. COME ON. 347 00:14:52,160 --> 00:14:55,060 HAVE YOU THOUGHT ABOUT IT? 348 00:14:55,100 --> 00:14:56,460 ABOUT A LOT OF THINGS, GREG. 349 00:14:56,500 --> 00:14:57,730 SO YOU HAVE. 350 00:14:57,770 --> 00:14:58,930 DON'T. 351 00:14:58,970 --> 00:15:00,440 WHY? DON'T. 352 00:15:00,470 --> 00:15:02,140 OKAY. 353 00:15:02,170 --> 00:15:04,940 ALL RIGHT, THIS IS HIM. 354 00:15:15,990 --> 00:15:18,260 HOW'S IT GOING, DIEGO? 355 00:15:18,290 --> 00:15:19,690 I'M NOT DIEGO. 356 00:15:19,720 --> 00:15:21,420 HEY, DON'T GET BASHFUL ON US NOW. 357 00:15:21,460 --> 00:15:23,460 I'VE BEEN CALLED DIEGO. 358 00:15:23,490 --> 00:15:26,090 GET YOUR HANDS OUT OF YOUR POCKETS. 359 00:15:26,130 --> 00:15:28,200 IS THAT A CRIME NOW? 360 00:15:28,230 --> 00:15:31,130 EASY OR YOU MAY NEVER FIND OUT. 361 00:15:35,710 --> 00:15:37,680 YOU'RE GOING TO BE DISAPPOINTED, OFFICER. 362 00:15:37,710 --> 00:15:39,940 I DON'T WANT TO GET YOUR HOPES UP. 363 00:15:39,980 --> 00:15:41,380 ANOTHER ONE WITH A MOUTH. 364 00:15:41,410 --> 00:15:43,180 A TONGUE, TOO. I CAN TOUCH MY NOSE. 365 00:15:43,210 --> 00:15:44,510 WATCH. 366 00:15:44,550 --> 00:15:45,950 STILL GOING TO BE ABLE TO PLUCK CANS 367 00:15:45,980 --> 00:15:48,480 OUT OF THE DUMPSTER WITH A BROKEN ARM? 368 00:15:51,320 --> 00:15:52,990 AH‐CHOO. 369 00:15:58,600 --> 00:16:02,470 WE APPRECIATE YOU COMING BACK ON SUCH SHORT NOTICE. 370 00:16:02,500 --> 00:16:03,570 DOES THAT MEAN 371 00:16:03,600 --> 00:16:05,230 YOU HAVE SOME IDEA WHO KILLED NICKY? 372 00:16:05,270 --> 00:16:07,070 WE'RE WORKING ON IT. IN THE MEANTIME, 373 00:16:07,110 --> 00:16:08,910 WE HAVE A FEW QUESTIONS FOR YOU. 374 00:16:08,940 --> 00:16:10,410 FIRE AWAY. 375 00:16:10,440 --> 00:16:12,670 LAST NIGHT, BEFORE YOUR BROTHER GOT KILLED, 376 00:16:12,710 --> 00:16:14,710 HE MADE A CALL ON A PAY PHONE 377 00:16:14,750 --> 00:16:16,350 TO YOUR HOME NUMBER IN JERSEY. 378 00:16:16,380 --> 00:16:18,850 HOW COME YOU DIDN'T TELL US ABOUT THAT? 379 00:16:18,880 --> 00:16:20,480 NICKY CALLED OUR HOUSE? 380 00:16:20,520 --> 00:16:22,850 THERE WAS NO MESSAGE ON THE ANSWERING MACHINE, 381 00:16:22,890 --> 00:16:24,060 NOT EVEN A HANG‐UP. 382 00:16:24,090 --> 00:16:26,050 THE CALL LASTED 7 MINUTES. THAT MEANS 383 00:16:26,090 --> 00:16:27,360 HE HAD TO TALK TO SOMEBODY 384 00:16:27,390 --> 00:16:28,990 OR AT LEAST SOMEBODY HAD TO ANSWER THE PHONE 385 00:16:29,030 --> 00:16:30,400 AND STAY ON THE LINE 386 00:16:30,430 --> 00:16:32,890 EVEN IF ALL THEY HEARD WAS HIM BREATHING HARD. 387 00:16:32,930 --> 00:16:34,560 I'M SORRY. THERE'S JUST NO WAY 388 00:16:34,600 --> 00:16:36,060 NICKY CALLED OUR HOUSE LAST NIGHT. 389 00:16:36,100 --> 00:16:37,770 THERE HAS TO BE SOME MISTAKE. 390 00:16:37,800 --> 00:16:40,400 NO, UM... 391 00:16:40,440 --> 00:16:42,070 IT'S ‐‐ IT'S NOT A MISTAKE. 392 00:16:42,110 --> 00:16:43,280 YOU TALKED TO HIM? 393 00:16:43,310 --> 00:16:45,850 YOU WERE SLEEPING AND HE SOUNDED UPSET. 394 00:16:45,880 --> 00:16:47,290 HE SAY WHAT HE WAS UPSET ABOUT? 395 00:16:47,310 --> 00:16:49,280 WELL, HE DIDN'T EXACTLY MAKE HIMSELF CLEAR. 396 00:16:49,310 --> 00:16:51,280 YOU KNOW, UH, PARANOID NON SEQUITURS 397 00:16:51,320 --> 00:16:54,290 ABOUT ALIEN BIRDS, POISONED FOOD, UH, 398 00:16:54,320 --> 00:16:56,280 SOME GUYS HE WAS AFRAID OF ‐‐ 399 00:16:56,320 --> 00:16:58,090 UH, JEFE? 400 00:16:58,120 --> 00:17:00,020 SOME OTHER LATINO NAME? I SAID TO HIM, 401 00:17:00,060 --> 00:17:02,020 "PLEASE, NOW I GOT YOU ON THE PHONE. 402 00:17:02,060 --> 00:17:03,420 PLEASE, LET ME COME AND GET YOU," 403 00:17:03,460 --> 00:17:05,430 BUT HE WOULDN'T SAY WHERE HE WAS 404 00:17:05,460 --> 00:17:07,430 OR ‐‐ OR IF HE WAS TRYING TO TELL ME, 405 00:17:07,470 --> 00:17:09,040 THEN I COULDN'T FIGURE IT OUT, 406 00:17:09,070 --> 00:17:11,940 BUT I DIDN'T HAVE A CLUE HE WAS REALLY IN TROUBLE. 407 00:17:11,970 --> 00:17:14,370 SO HOW COME YOU DECIDED NOT TO MENTION THIS BEFORE? 408 00:17:14,410 --> 00:17:17,220 WHEN HE TURNED UP DEAD, I DIDN'T HAVE THE GUTS 409 00:17:17,240 --> 00:17:19,880 TO TELL MY WIFE OR HER DAD. 410 00:17:19,910 --> 00:17:22,240 IT WASN'T YOU WHO MADE NICKY CRAZY 411 00:17:22,280 --> 00:17:24,250 OR PUT HIM OUT ON THE STREET. 412 00:17:24,280 --> 00:17:26,380 IT WAS JUST A MATTER OF TIME 413 00:17:26,420 --> 00:17:27,830 BEFORE SOMETHING LIKE THIS HAPPENED. 414 00:17:27,850 --> 00:17:29,150 I JUST... 415 00:17:29,190 --> 00:17:33,130 I WISH I WOULD HAVE GOTTEN HIM. 416 00:17:34,960 --> 00:17:36,760 IF SOMETHING ELSE COMES UP, 417 00:17:36,800 --> 00:17:38,470 YOU'LL BE AT YOUR DAD'S APARTMENT? 418 00:17:38,500 --> 00:17:39,970 WORKING OUT FUNERAL ARRANGEMENTS. 419 00:17:40,000 --> 00:17:42,600 THANK YOU. 420 00:17:42,630 --> 00:17:45,100 THEY HAVE AN EXPLANATION ON THE PHONE CALL? 421 00:17:45,140 --> 00:17:46,410 SON‐IN‐LAW HOLDS UP. 422 00:17:46,440 --> 00:17:48,110 HE'S THE ONE THAT TALKED TO NICHOLAS. 423 00:17:48,140 --> 00:17:49,610 HE SAYS HE DON'T WANT TO ADMIT IT. 424 00:17:49,640 --> 00:17:51,470 SINCE NICHOLAS WOUND UP D. O. A., HE'D LOOK BAD. 425 00:17:51,510 --> 00:17:53,010 WHAT DID THE WIFE SAY? 426 00:17:53,040 --> 00:17:55,440 SEEMS LIKE SHE DIDN'T KNOW BEFORE SHE HEARD IT HERE. 427 00:17:55,480 --> 00:17:56,610 CAN'T HURT WE CHECK THEM BOTH. 428 00:17:56,650 --> 00:17:57,810 RUN THEIR CARS. 429 00:17:57,850 --> 00:18:00,120 YOU THINK YOU'VE CALMED DOWN ENOUGH? 430 00:18:00,150 --> 00:18:01,350 COULD BE. 431 00:18:01,390 --> 00:18:02,660 WELL, LET'S JUST SAY YOU HAVE. 432 00:18:02,690 --> 00:18:04,160 GO MAKE IT UP WITH MAHONEY. 433 00:18:04,190 --> 00:18:05,850 YEAH, LET ME GO DO THAT. 434 00:18:05,890 --> 00:18:08,320 YOU KNOW WHAT THEY SAY ABOUT EATING CROW, DANNY. 435 00:18:08,360 --> 00:18:10,160 IT GOES DOWN BEST WITH A SMILE. 436 00:18:10,190 --> 00:18:12,190 YOU SURE THAT'S CROW WE'RE TALKING ABOUT? 437 00:18:12,230 --> 00:18:15,230 YEAH, ISN'T THAT THE PHRASE ‐‐ "CROW‐EATING GRIN"? 438 00:18:18,470 --> 00:18:20,800 I'M LOOKING FOR DETECTIVE RUSSELL. 439 00:18:20,840 --> 00:18:22,370 NEXT FLOOR UP. 440 00:18:30,850 --> 00:18:32,780 AHEM. HEY, UH, SARGE, 441 00:18:32,820 --> 00:18:34,630 UM, YOU GOT A MINUTE? 442 00:18:34,650 --> 00:18:36,280 YEAH, I GOT A MINUTE. 443 00:18:36,320 --> 00:18:38,790 UM, CAN WE TALK SOMEWHERE? 444 00:18:38,820 --> 00:18:41,320 NO, RIGHT HERE IS FINE. 445 00:18:48,270 --> 00:18:51,510 AHEM. UM, I WAS OUT OF LINE EARLIER. 446 00:18:51,540 --> 00:18:52,880 YOU'RE DAMN RIGHT YOU WERE. 447 00:18:52,900 --> 00:18:54,340 AND I'M HERE TO APOLOGIZE. 448 00:18:54,370 --> 00:18:56,540 YEAH? WELL, LOOK AT ME THEN. 449 00:18:58,340 --> 00:19:00,510 BETTER HAVE YOUR EYES CHECKED. 450 00:19:00,550 --> 00:19:02,520 NO, I SEE THEM. 451 00:19:02,550 --> 00:19:03,820 I DIDN'T KNOW 452 00:19:03,850 --> 00:19:05,750 THAT GUY WAS IN DANGER FOR HIS LIFE. 453 00:19:05,780 --> 00:19:07,650 YOU DIDN'T PUT THAT IN YOUR NOTE. 454 00:19:07,690 --> 00:19:09,600 SGT. CLANCY, WHO WAS WORKING THE 4:00‐12:00, 455 00:19:09,620 --> 00:19:11,050 I TOLD HIM THE DEAL. 456 00:19:11,090 --> 00:19:13,020 IT WAS MY UNDERSTANDING HE WAS GOING TO RELAY THAT 457 00:19:13,060 --> 00:19:14,700 TO THE SERGEANT WORKING 12:00‐8:00. 458 00:19:14,730 --> 00:19:16,400 I FIGURED THAT, WITH MY NOTE, 459 00:19:16,430 --> 00:19:17,670 WOULD COVER IT. 460 00:19:17,700 --> 00:19:19,770 I WAS PRETTY BUSY IN HERE LAST NIGHT. 461 00:19:19,800 --> 00:19:21,830 I GUESS I... I DIDN'T HEAR 462 00:19:21,870 --> 00:19:24,380 ALL THE PARTICULARS FROM SGT. CLANCY. 463 00:19:24,400 --> 00:19:25,730 I GUESS NOT. 464 00:19:25,770 --> 00:19:27,700 EITHER WAY, THIS FALLS ON ME. 465 00:19:27,740 --> 00:19:30,270 THIS DON'T FALL ON NOBODY. 466 00:19:30,310 --> 00:19:34,440 WHAT HAPPENED IS WHAT HAPPENED. 467 00:19:43,450 --> 00:19:44,890 SORRY TO, UH, CUT SHORT 468 00:19:44,920 --> 00:19:46,890 YOUR TRIP TO ATLANTIC CITY. 469 00:19:46,930 --> 00:19:49,940 I PROBABLY WOULD HAVE LOST MY SHORTS ANYWAY. 470 00:19:49,960 --> 00:19:51,790 HEY, I'M NOT BEING SUED HERE, AM I? 471 00:19:51,830 --> 00:19:54,130 NO, THAT'S NOT WHAT THIS IS ABOUT. 472 00:19:54,170 --> 00:19:56,740 YOU KNOW A NICHOLAS GILBERT? 473 00:19:56,770 --> 00:19:58,030 NO. 474 00:19:58,070 --> 00:20:00,070 HOMELESS GUY, WHITE, 30s, 475 00:20:00,100 --> 00:20:02,040 HANGS OUT IN FRONT OF YOUR DINER ON OCCASION, 476 00:20:02,070 --> 00:20:03,940 SHOPPING CART FULL OF ELECTRONICS. 477 00:20:03,980 --> 00:20:06,550 OH, YEAH ‐‐ WACKO JOE. THAT'S WHAT I CALL HIM. 478 00:20:06,580 --> 00:20:08,710 YOU HAD A RUN‐IN WITH HIM LAST NIGHT? 479 00:20:08,750 --> 00:20:10,820 I HAVE A RUN‐IN EVERY NIGHT HE COMES BY. 480 00:20:10,850 --> 00:20:12,810 PARKS OUT FRONT, JAWING AT MY CUSTOMERS 481 00:20:12,850 --> 00:20:16,250 ABOUT HOW MEAT IS MURDER OR SOME CRAP. 482 00:20:16,290 --> 00:20:17,930 LAST NIGHT GET A LITTLE HEATED? 483 00:20:17,960 --> 00:20:21,630 WHAT, WACKO JOE'S PRESSING CHARGES? 484 00:20:21,660 --> 00:20:23,590 HOW ABOUT ALL THE TIMES I CALLED THE COPS, 485 00:20:23,630 --> 00:20:26,390 ASKING TO REMOVE THIS BUM FROM IN FRONT? 486 00:20:26,430 --> 00:20:28,800 WHERE ARE YOU GUYS THEN? BUT NO, I GET IT. 487 00:20:28,830 --> 00:20:30,900 DEFINITELY SIDE WITH SOME CRAZY STINKING BUM 488 00:20:30,940 --> 00:20:33,750 AND IGNORE THE TAXPAYING SMALL BUSINESS OWNER. 489 00:20:33,770 --> 00:20:35,740 ALL RIGHT, LET'S GET BACK TO LAST NIGHT. 490 00:20:35,770 --> 00:20:37,070 DID IT GET A LITTLE HEATED? 491 00:20:37,110 --> 00:20:38,910 YEAH, I GOT PISSED OFF HIM DRIVING OFF A FOUR TOP 492 00:20:38,940 --> 00:20:40,340 BEFORE THEY MOVE UP TO MY DOOR. 493 00:20:40,380 --> 00:20:42,840 YOU TAKE HIM OUT TO THE ALLEY BESIDE YOUR DINER? 494 00:20:42,880 --> 00:20:44,850 YEAH, AND I SMACKED HIM AROUND. 495 00:20:44,880 --> 00:20:46,580 I WANTED HIM TO GET THE MESSAGE. 496 00:20:46,620 --> 00:20:47,780 HE GOT IT. 497 00:20:47,820 --> 00:20:48,750 GOOD. YOU KNOW WHAT? 498 00:20:48,790 --> 00:20:50,130 I DON'T REGRET IT, EITHER. 499 00:20:50,150 --> 00:20:52,120 YOU BRING YOUR BOX CUTTER OUT WITH YOU 500 00:20:52,160 --> 00:20:53,260 WHEN YOU SMACKED HIM AROUND? 501 00:20:53,290 --> 00:20:54,860 MAYBE. I CAN'T REMEMBER. 502 00:20:54,890 --> 00:20:57,190 YOU DON'T REMEMBER BRINGING YOUR BOX CUTTER OUT, 503 00:20:57,230 --> 00:20:58,690 BUT YOU REMEMBER CUTTING NICHOLAS, 504 00:20:58,730 --> 00:21:00,200 WACKO JOE TO YOU? 505 00:21:00,230 --> 00:21:02,930 CUTTING HIM? NO ‐‐ IS THAT WHAT HE'S SAYING? 506 00:21:02,970 --> 00:21:04,280 THEN HE'S LYING. 507 00:21:04,300 --> 00:21:06,200 MAYBE I NICKED HIM WITH SOMETHING, 508 00:21:06,240 --> 00:21:10,050 BUT I DIDN'T CUT HIM, I...YOU KNOW... 509 00:21:10,070 --> 00:21:13,140 THEN I LEFT HIM THERE AND I WENT BACK TO WORK. 510 00:21:13,180 --> 00:21:15,450 NICHOLAS WAS FOUND STABBED AND KILLED 511 00:21:15,480 --> 00:21:19,280 IN THE ALLEY WHERE YOU LEFT HIM. 512 00:21:19,320 --> 00:21:22,630 HEY, I DID NOT KILL THAT GUY. 513 00:21:22,650 --> 00:21:25,720 COME ON, WHY WOULD I THROW MY LIFE AWAY ON HIM? 514 00:21:25,760 --> 00:21:28,470 YOU GOT PISSED OFF, BLOOD PUMPING, YOU LOST IT. 515 00:21:28,490 --> 00:21:30,360 WE CAN UNDERSTAND THAT, BUT DON'T SAY 516 00:21:30,390 --> 00:21:31,660 YOU DON'T REMEMBER DOING IT. 517 00:21:31,700 --> 00:21:34,640 I GET PISSED OFF PLENTY, BUT I'VE NEVER LOST IT. 518 00:21:34,670 --> 00:21:37,240 I OWNED AN IRISH PUB FOR EIGHT YEARS. 519 00:21:37,270 --> 00:21:39,070 BELIEVE ME, IF I WAS EVER GOING 520 00:21:39,100 --> 00:21:40,640 TO LOSE IT WITH A CUSTOMER, 521 00:21:40,670 --> 00:21:42,340 I HAD A THOUSAND CHANCES BACK THEN. 522 00:21:42,370 --> 00:21:44,970 THAT BUM WAS STILL STANDING WHEN I LEFT HIM. 523 00:21:45,010 --> 00:21:47,340 I DID NOT KILL HIM. 524 00:21:50,510 --> 00:21:52,680 THIS IS YOUR PROBLEM. WE GOT WITNESSES 525 00:21:52,720 --> 00:21:55,190 THAT SAW YOU STRANGLING JEFE 526 00:21:55,220 --> 00:21:57,750 UNDER THAT BRIDGE YESTERDAY MORNING. 527 00:21:57,790 --> 00:21:59,020 YOU GUYS SHOULD 528 00:21:59,060 --> 00:22:00,670 PAINT THIS ROOM YELLOW OR SOMETHING. 529 00:22:00,690 --> 00:22:01,990 IT'S DEPRESSING. 530 00:22:02,030 --> 00:22:03,430 Baldwin: WHAT YOU'RE DOING, DIEGO, 531 00:22:03,460 --> 00:22:06,430 OTHER THAN ENTERTAINING US HERE, AND ME HOLDING MY SIDES 532 00:22:06,460 --> 00:22:07,930 BECAUSE YOU'RE SO DAMN FUNNY, 533 00:22:07,970 --> 00:22:09,440 IS YOU'RE MAKING US GO WITH THE VERSION 534 00:22:09,470 --> 00:22:11,180 OUR WITNESSES ARE GIVING US, 535 00:22:11,200 --> 00:22:12,570 AND THAT'S PLENTY TO PUT YOU AWAY. 536 00:22:12,600 --> 00:22:14,940 Greg: YOU GOT A CHANCE TO HELP YOURSELF HERE. 537 00:22:14,970 --> 00:22:17,240 TELL YOUR VERSION OF WHAT HAPPENED WITH JEFE. 538 00:22:17,280 --> 00:22:19,080 MAYBE YOU WERE PROVOKED. 539 00:22:19,110 --> 00:22:21,940 WHAT YOU FINE GENTLEMEN DON'T UNDERSTAND 540 00:22:21,980 --> 00:22:23,680 IS I KNOW EXACTLY WHAT'S GOING ON. 541 00:22:23,720 --> 00:22:25,420 I KNOW WHO SAID WHAT, 542 00:22:25,450 --> 00:22:27,520 AND I KNOW WHEN THEY SAID IT. 543 00:22:27,550 --> 00:22:30,090 NICHOLAS, MAURICIO... 544 00:22:30,120 --> 00:22:33,450 OOH, OH, OOH, HOW DOES DIEGO KNOW THAT? 545 00:22:33,490 --> 00:22:36,630 BECAUSE DIEGO CAN SEE FOR MILES, 546 00:22:36,660 --> 00:22:40,800 AND WHAT I SEE IS A WHOLE LOT OF NOTHING. 547 00:22:40,830 --> 00:22:43,360 SO IF IT MAKES YOU BOYS HAPPY, 548 00:22:43,400 --> 00:22:45,770 GO AHEAD AND TAKE OUT YOUR BAG OF TRICKS 549 00:22:45,800 --> 00:22:47,270 AND PERFORM FOR ME. 550 00:22:47,310 --> 00:22:49,110 I WON'T BE OFFENDED. 551 00:22:51,640 --> 00:22:53,910 DO YOU MIND IF I TAKE A CRACK? 552 00:22:53,950 --> 00:22:56,820 IT'S YOUR GUYS' CASE. 553 00:23:04,660 --> 00:23:06,160 WE BETTER GET ANDY. 554 00:23:06,190 --> 00:23:07,720 LOOK AT ME, DIEGO. 555 00:23:07,760 --> 00:23:09,590 YOU'RE GOING TO COP TO KILLING JEFE. 556 00:23:09,630 --> 00:23:11,630 YOU'RE A VERY UNHAPPY PERSON. 557 00:23:13,670 --> 00:23:15,640 HERE WE GO, HERE WE GO. 558 00:23:15,670 --> 00:23:18,140 DID YOU STRANGLE JEFE UNDER THE BRIDGE YESTERDAY? 559 00:23:18,170 --> 00:23:20,770 FIRST, WE GOT TO TALK ABOUT THIS UNHAPPINESS 560 00:23:20,810 --> 00:23:23,380 THAT'S EATING AWAY AT YOU. UHH! 561 00:23:26,980 --> 00:23:30,110 Andy: DANNY! 562 00:23:30,150 --> 00:23:31,450 WE GOT ALL DAY. 563 00:23:32,880 --> 00:23:35,250 DID YOU KILL JEFE? 564 00:23:35,290 --> 00:23:37,800 WE ARGUED, THEN WE FOUGHT. MAYBE I FOUGHT TOO HARD. 565 00:23:37,820 --> 00:23:39,760 THEN YOU KILLED NICHOLAS LAST NIGHT 566 00:23:39,790 --> 00:23:41,920 TO SHUT HIM UP, RIGHT? 567 00:23:41,960 --> 00:23:43,760 NICHOLAS MEANS NOTHING TO ME. 568 00:23:43,800 --> 00:23:45,770 WHAT COULD HE DO THAT WOULD BE A THREAT? 569 00:23:45,800 --> 00:23:48,270 I DID JEFE, BUT I DIDN'T DO NICHOLAS. 570 00:23:48,300 --> 00:23:51,630 HITTING ME MORE ISN'T GOING TO MAKE ME LIE AND SAY I DID. 571 00:24:14,830 --> 00:24:18,870 2 D. O. A. s, APARTMENT, EAST 13th. YOU'RE UP. 572 00:24:18,900 --> 00:24:21,240 I TALKED WITH THAT DINER OWNER ‐‐ LEONARD PLUTO. 573 00:24:21,270 --> 00:24:22,740 ADMITS SMACKING NICHOLAS AROUND 574 00:24:22,770 --> 00:24:24,880 BUT SWEARS HE DIDN'T KILL HIM. 575 00:24:24,900 --> 00:24:26,230 WE'RE WAITING ON THE M.E. TO SAY 576 00:24:26,270 --> 00:24:27,700 IF THE WOUNDS ARE CONSISTENT WITH PLUTO'S BOX CUTTER. 577 00:24:27,740 --> 00:24:29,910 ALL RIGHT, HOLD OFF GOING TO THE D. A. 578 00:24:29,940 --> 00:24:31,410 TILL WE HEAR FROM THE M.E. 579 00:24:31,440 --> 00:24:33,710 YOU WANT ME AND GREG TO GO WITH DIANE, BOSS? 580 00:24:33,750 --> 00:24:35,220 WHAT ELSE ARE YOU DOING? 581 00:24:35,250 --> 00:24:36,820 ANDY AND DANNY TOOK OVER DIEGO 582 00:24:36,850 --> 00:24:38,810 SO WE'RE MORE OR LESS FREE. 583 00:24:38,850 --> 00:24:41,320 SO I GUESS YOU ANSWERED YOUR OWN QUESTION. 584 00:24:41,350 --> 00:24:43,380 THAT MEAN WE SHOULD GO? 585 00:24:43,420 --> 00:24:45,490 COME ON, GREG. 586 00:24:45,520 --> 00:24:46,990 COULD'VE JUST SAID YES. 587 00:24:47,030 --> 00:24:48,930 HOW'D IT GO WITH DIEGO? 588 00:24:48,960 --> 00:24:50,430 GOT HIS STATEMENT HERE. 589 00:24:50,460 --> 00:24:52,430 HE GAVE IT UP ON JEFE. 590 00:24:52,460 --> 00:24:53,930 WHAT ABOUT NICHOLAS? 591 00:24:53,970 --> 00:24:55,870 SAYS HE DIDN'T KILL NICHOLAS. 592 00:24:55,900 --> 00:24:57,770 WE GOT THE SON‐IN‐LAW COMING BACK IN. 593 00:24:57,800 --> 00:25:00,500 SO I'M ASSUMING EVERYTHING'S CLEAR WITH YOU AND MAHONEY. 594 00:25:00,540 --> 00:25:02,100 YEAH. 595 00:25:02,140 --> 00:25:04,410 Arthur: GOOD. 596 00:25:04,440 --> 00:25:06,010 HEY, JOHN, ANY CHANCE 597 00:25:06,040 --> 00:25:08,510 YOU CAN LOOK AFTER THEO AGAIN TONIGHT? 598 00:25:08,550 --> 00:25:10,090 YOU'VE GOT ANOTHER ENGAGEMENT? 599 00:25:10,110 --> 00:25:12,510 AS A MATTER OF FACT... 600 00:25:12,550 --> 00:25:15,350 IS THIS THE SAME WOMAN? IF YOU DON'T MIND MY ASKING. 601 00:25:15,390 --> 00:25:18,960 IT'S THE SAME. CAN YOU DO IT OR NOT? 602 00:25:18,990 --> 00:25:21,790 SURE. I'LL GET SOME NEW PUZZLES. 603 00:25:21,830 --> 00:25:23,800 SAY, 7:00? 604 00:25:23,830 --> 00:25:25,260 WITH BELLS ON. 605 00:25:28,670 --> 00:25:30,440 MR. GILBERT, HOW YOU DOING? 606 00:25:30,470 --> 00:25:31,730 ANYTHING ABOUT NICKY? 607 00:25:31,770 --> 00:25:33,100 NOTHING SOLID YET. 608 00:25:33,140 --> 00:25:35,610 HAVE YOU GOT A MINUTE TO TALK 609 00:25:35,640 --> 00:25:37,870 ABOUT SOMETHING UNRELATED? 610 00:25:37,910 --> 00:25:39,510 YEAH, SURE, COME ON. 611 00:25:43,580 --> 00:25:45,050 THERE YOU GO. 612 00:25:45,080 --> 00:25:46,750 I NEED YOUR HELP. 613 00:25:46,790 --> 00:25:49,760 DIDN'T KNOW WHERE ELSE TO GO. 614 00:25:49,790 --> 00:25:51,750 WELL, THAT'S OKAY, MR. GILBERT. 615 00:25:51,790 --> 00:25:53,250 WHAT'S ON YOUR MIND? 616 00:25:53,290 --> 00:25:55,660 MY WIFE DIED FIVE YEARS AGO, 617 00:25:55,690 --> 00:25:59,430 MY POOR DEAR BOY IS STABBED TO DEATH IN AN ALLEY, 618 00:25:59,460 --> 00:26:03,500 MY DAUGHTER'S MARRIED TO A DEGENERATE GAMBLER, 619 00:26:03,530 --> 00:26:05,430 SUBSTANCE ABUSER. 620 00:26:05,470 --> 00:26:08,070 WHAT IS IT YOU WANT US TO DO, MR. GILBERT? 621 00:26:08,110 --> 00:26:10,580 YOU SEE, THE KIDS' TRUSTS GIVES THEM THEIR MONEY 622 00:26:10,610 --> 00:26:12,940 WHEN THEY HIT 30 LIKE ELLIE JUST DID. 623 00:26:12,980 --> 00:26:15,020 LAST TWO YEARS, SHE AND ROSS 624 00:26:15,050 --> 00:26:17,020 HAVE BORROWED SO MUCH AGAINST IT, 625 00:26:17,050 --> 00:26:19,510 THERE'S JUST HALF A MILLION DOLLARS LEFT 626 00:26:19,550 --> 00:26:21,020 OF THE ORIGINAL THREE. 627 00:26:21,050 --> 00:26:23,820 NOW WITH NICKY GONE, HIS PART GOES TO HER, 628 00:26:23,860 --> 00:26:26,830 SO SHE AND ROSS WILL PISS THAT AWAY, TOO. 629 00:26:26,860 --> 00:26:28,360 WHY DON'T YOU CHANGE THE WILL? 630 00:26:28,390 --> 00:26:30,790 IT'S MY WIFE'S WILL, DETECTIVE. 631 00:26:30,830 --> 00:26:32,430 THE TRUSTS ARE INVIOLABLE. 632 00:26:32,460 --> 00:26:34,100 I'M THE EXECUTOR, 633 00:26:34,130 --> 00:26:36,630 BUT ANYTIME I TRY TO PUT MY FOOT DOWN, 634 00:26:36,670 --> 00:26:39,100 ELLIE STOPS TALKING TO ME. 635 00:26:39,140 --> 00:26:41,950 I WAS THINKING MAYBE YOU COULD ARREST HIM. 636 00:26:41,970 --> 00:26:44,110 ARREST ROSS IN REGARDS TO THIS DRUG USE? 637 00:26:44,140 --> 00:26:46,110 NO, NO, NO. I WAS THINKING 638 00:26:46,140 --> 00:26:48,610 MAYBE YOU COULD ARREST HIS BOOKIE BOGO. 639 00:26:48,650 --> 00:26:49,990 BOGO? 640 00:26:50,010 --> 00:26:52,610 LAST YEAR SO ROSS DIDN'T GET HIS LEGS BROKEN, 641 00:26:52,650 --> 00:26:55,780 I FILLED A GYM BAG WITH $300,000 CASH 642 00:26:55,820 --> 00:26:57,290 FOR THIS BOGO, 643 00:26:57,320 --> 00:26:59,320 AND 10 DAYS AGO HE CALLED ME, 644 00:26:59,360 --> 00:27:02,800 SAYS ROSS OWES HIM ANOTHER $350,000. 645 00:27:02,830 --> 00:27:05,240 SO YOU'RE THINKING IF WE ARREST THIS GUY, 646 00:27:05,260 --> 00:27:07,730 THEN ROSS WON'T HAVE TO PAY HIM BACK? 647 00:27:07,770 --> 00:27:10,010 I'M THINKING I'VE GOT TO DO SOMETHING, 648 00:27:10,030 --> 00:27:12,500 OR ROSS WILL PISS AWAY HER ENTIRE INHERITANCE. 649 00:27:12,540 --> 00:27:14,580 YOU GOT A NUMBER ON THIS BOGO? 650 00:27:14,610 --> 00:27:16,750 I'VE GOT HIS PAGER. 651 00:27:16,780 --> 00:27:19,420 YOU THINK BOGO COULD'VE HAD SOMETHING TO DO 652 00:27:19,440 --> 00:27:20,910 WITH YOUR SON'S DEATH? 653 00:27:20,950 --> 00:27:24,460 I JUST DON'T KNOW. 654 00:27:30,790 --> 00:27:31,920 HEY. 655 00:27:31,960 --> 00:27:33,770 D.O.A.s ARE IN THE BEDROOM. 656 00:27:33,790 --> 00:27:36,260 NAMES ‐‐ YVONNE AND PABLO RUIZ. 657 00:27:36,290 --> 00:27:37,760 IT'S THEIR APARTMENT. 658 00:27:37,800 --> 00:27:39,170 WHO CALLED IT IN? 659 00:27:39,200 --> 00:27:40,270 SUPER. 660 00:27:40,300 --> 00:27:42,330 I'LL TALK TO HER. 661 00:27:42,370 --> 00:27:43,910 HELLO. I'M DETECTIVE JONES. 662 00:27:43,940 --> 00:27:45,880 I DON'T GOT ALL DAY. 663 00:27:45,900 --> 00:27:47,540 I GOT TWO DRAINS, SIX LIGHT BULBS, 664 00:27:47,570 --> 00:27:49,270 AND A CLOGGED TOILET TO DEAL WITH. 665 00:27:49,310 --> 00:27:51,620 LADY, WE GOT TWO PEOPLE DEAD IN THERE. 666 00:27:51,640 --> 00:27:54,110 DON'T CALL ME "LADY," ALL RIGHT, PAL? 667 00:27:54,150 --> 00:27:55,790 I'M JUST SAYING I GOT WORK TO DO. 668 00:27:55,810 --> 00:27:57,780 WELL, I'M NOT ON VACATION HERE, EITHER. 669 00:27:57,820 --> 00:28:00,430 NOW YOU AND ME ARE GOING TO TALK. 670 00:28:04,290 --> 00:28:07,560 SHOT IN THE BACK, PROBABLY RUNNING FOR THE DOOR. 671 00:28:07,590 --> 00:28:10,360 POWDER BURNS AROUND THE LEFT TEMPLE. 672 00:28:10,390 --> 00:28:12,430 IT'S DEFINITELY A CONTACT WOUND. 673 00:28:12,460 --> 00:28:16,200 BULLET EXITED THE HEAD AND WENT THROUGH THE WINDOW. 674 00:28:16,230 --> 00:28:18,300 FIGURE A MURDER/SUICIDE? 675 00:28:18,340 --> 00:28:19,540 LOOKS LIKE. 676 00:28:19,570 --> 00:28:21,870 IT'S FUNNY HOW THEY NEVER DO IT STANDING UP. 677 00:28:21,910 --> 00:28:24,480 FALLING'S THE SCARY PART. MAYBE SCRAPE A KNEE. 678 00:28:27,610 --> 00:28:30,610 MY MARRIAGE TO MARIE WAS NO WALK IN THE PARK, 679 00:28:30,650 --> 00:28:33,150 BUT THIS IS TAKING IT TOO FAR. 680 00:28:37,460 --> 00:28:39,430 YVONNE AND HER HUSBAND GET ALONG? 681 00:28:39,460 --> 00:28:41,270 YOU EVER HEAR THEM FIGHT? 682 00:28:41,290 --> 00:28:42,760 NEVER HEARD ANY COMPLAINTS. 683 00:28:42,790 --> 00:28:44,960 SHE WAS A CUTE LITTLE THING, SMART, TOO. 684 00:28:45,000 --> 00:28:47,140 I DON'T KNOW WHAT SHE SEES IN HIM. 685 00:28:47,170 --> 00:28:49,310 THE OFFICER SAID IT WAS YOU WHO FOUND THE BODIES. 686 00:28:49,330 --> 00:28:51,300 GOT A CALL FROM JILL ‐‐ 687 00:28:51,340 --> 00:28:53,280 LIVES IN 6‐D, WORKS WITH YVONNE. 688 00:28:53,300 --> 00:28:55,970 SHE DIDN'T SHOW UP TODAY. WOULD I TAKE A LOOK? 689 00:28:56,010 --> 00:28:57,980 WHERE DOES SHE WORK? 690 00:28:58,010 --> 00:28:59,980 CITIWIDE COURIER ‐‐ ON THE RADIO, 691 00:29:00,010 --> 00:29:02,110 SENDS PEOPLE OUT... DISPATCH. 692 00:29:02,150 --> 00:29:04,160 NO ONE AROUND HERE HEARD ANY SHOTS? 693 00:29:04,180 --> 00:29:05,750 NEIGHBORHOOD LIKE THIS, 694 00:29:05,780 --> 00:29:07,750 UNLESS YOU HEAR FOUR OR FIVE SHOTS, 695 00:29:07,790 --> 00:29:09,930 YOU JUST FIGURE IT'S A JUNKER BACKFIRING. 696 00:29:09,950 --> 00:29:12,690 OKAY, ANNIE, THANKS FOR YOUR TIME. 697 00:29:16,290 --> 00:29:18,090 AFTER CRIME SCENE GETS FINISHED, 698 00:29:18,130 --> 00:29:20,960 GET THIS COMPUTER TO TARU. 699 00:29:21,000 --> 00:29:23,100 HAVE THEM CHECK OUT THE HARD DRIVE. 700 00:29:23,130 --> 00:29:24,600 LOOK AT THIS. 701 00:29:24,640 --> 00:29:27,110 THE SUPER SAID THE WIFE WORKED DISPATCH AT CITIWIDE COURIER. 702 00:29:27,140 --> 00:29:29,610 ISN'T THAT THE SAME PLACE WHERE HARRY DENBY WORKS? 703 00:29:29,640 --> 00:29:32,370 YEAH, IT'S A BIG COMPANY, GREG. 704 00:29:40,920 --> 00:29:44,120 SO, I HOPE YOUR INVITING ME BACK IS A GOOD SIGN. 705 00:29:44,160 --> 00:29:47,630 OKAY, LET'S GO BACK TO LAST NIGHT, ROSS. 706 00:29:47,660 --> 00:29:48,960 MY CONVERSATION WITH NICK. 707 00:29:48,990 --> 00:29:50,390 YEAH. ACTUALLY, WE'RE WONDERING 708 00:29:50,430 --> 00:29:52,530 ABOUT AFTER YOUR CONVERSATION WITH NICK. 709 00:29:52,560 --> 00:29:54,530 WHAT'D YOU DO THEN? 710 00:29:54,570 --> 00:29:57,240 ME? I WENT BACK TO SLEEP. 711 00:29:57,270 --> 00:29:59,300 YOU SEE, ROSS, THAT'S ANOTHER LIE, 712 00:29:59,340 --> 00:30:01,850 'CAUSE SOMEBODY DROVE YOUR S. U. V. INTO THE CITY. 713 00:30:01,870 --> 00:30:04,540 SEE, EVERY TIME YOU PASS THE TOLLBOOTH, 714 00:30:04,580 --> 00:30:06,550 THE MAGNETIC STRIP ON YOUR EZ‐PASS REGISTERS 715 00:30:06,580 --> 00:30:08,540 WHETHER YOU USE IT OR NOT. 716 00:30:08,580 --> 00:30:10,550 YOU PASSED THROUGH THE TUNNEL AT 2:56. 717 00:30:10,580 --> 00:30:12,750 OKAY, UH, AFTER I TALKED TO NICK, 718 00:30:12,780 --> 00:30:14,750 I COULDN'T GET BACK TO SLEEP, 719 00:30:14,790 --> 00:30:16,760 AND I CALLED MY FAVORITE ESCORT SERVICE. 720 00:30:16,790 --> 00:30:19,220 YOU DROVE ALL THE WAY INTO THE CITY TO SEE A HOOKER? 721 00:30:19,260 --> 00:30:21,230 I'VE BEEN MARRIED SIX YEARS, DETECTIVE. 722 00:30:21,260 --> 00:30:24,090 I WORK IN THE CITY. THAT'S WHO I KNOW TO CALL. 723 00:30:24,130 --> 00:30:25,930 YOU KNOW A BOOKMAKER NAMED BOGO? 724 00:30:25,960 --> 00:30:28,230 JEEZ. HOW'D YOU GUYS GET THAT ONE? 725 00:30:28,270 --> 00:30:29,780 WE TALKED TO BOGO. 726 00:30:29,800 --> 00:30:31,730 YOUR FATHER‐IN‐LAW'S SCARED 727 00:30:31,770 --> 00:30:34,240 YOU'RE GOING TO PISS AWAY YOUR WIFE'S TRUST. 728 00:30:34,270 --> 00:30:36,240 LISTEN, ELLIE SPENT ENOUGH HERSELF. 729 00:30:36,270 --> 00:30:38,270 SHE'S THE ONE WHO KEEPS 730 00:30:38,310 --> 00:30:40,280 GOING BACK TO THE OLD MAN FOR MONEY. 731 00:30:40,310 --> 00:30:42,280 HOW ABOUT THE TIME YOU GOT ARRESTED 732 00:30:42,310 --> 00:30:44,610 FOR COPPING DRUGS DOWN ON AVENUE C? 733 00:30:44,650 --> 00:30:47,450 I THREW A DISK PLAYING HOCKEY AT DARTMOUTH. 734 00:30:47,490 --> 00:30:50,460 THE SURGERY DIDN'T HELP AS MUCH AS THE PAIN PILLS, 735 00:30:50,490 --> 00:30:53,350 BUT I'M CLEAN 14 MONTHS GOING TO MEETINGS, 736 00:30:53,390 --> 00:30:55,860 AND COFFEE IS MY ONLY REMAINING ADJUSTABLE VICE. 737 00:30:55,890 --> 00:30:58,130 HOW ABOUT THE GAMBLING? 738 00:30:58,160 --> 00:31:00,130 BOGO, RIGHT? 739 00:31:00,160 --> 00:31:03,230 WELL, HE MUST HAVE TOLD YOU I OWE HIM MORE MONEY. 740 00:31:03,270 --> 00:31:06,650 YOU'RE A SMART GUY, ROSS. YOU SEE HOW THIS LOOKS, HUH? 741 00:31:06,670 --> 00:31:09,140 YOU USE UP MOST OF YOUR WIFE'S TRUST. 742 00:31:09,170 --> 00:31:11,270 YOU OWE BOGO ANOTHER WAD. 743 00:31:11,310 --> 00:31:13,240 THAT WOULD JUST ABOUT CLEAN YOU OUT, 744 00:31:13,280 --> 00:31:15,390 BUT IF SOMETHING SHOULD BEFALL HER CRAZY BROTHER, 745 00:31:15,410 --> 00:31:17,380 SHE GETS HIS SHARE. 746 00:31:17,420 --> 00:31:19,660 NOW, NICHOLAS CALLS YOU. GUYS ARE AFTER HIM. 747 00:31:19,680 --> 00:31:22,420 YOU FIGURE IT'S YOUR CHANCE. WHO'S GOING TO KNOW? 748 00:31:22,450 --> 00:31:23,990 SO YOU KILL HIM. 749 00:31:26,290 --> 00:31:28,760 I'M THINKING MAYBE I SHOULD GET A LAWYER. 750 00:31:28,790 --> 00:31:31,330 IF YOU WANT A LAWYER, THAT'S UP TO YOU. 751 00:31:31,360 --> 00:31:33,060 YOUR CAR DOWNSTAIRS? 752 00:31:33,100 --> 00:31:35,110 WE ALREADY GOT A WARRANT TO SEARCH THAT. 753 00:31:35,130 --> 00:31:36,430 IT'S GETTING IMPOUNDED AS WE SPEAK. 754 00:31:36,470 --> 00:31:38,180 NEXT WE SEARCH YOUR HOUSE FOR THE KNIFE, 755 00:31:38,200 --> 00:31:40,170 FOR BLOOD TRACES, FOR DNA. 756 00:31:40,200 --> 00:31:44,170 IT'S UP TO YOU WHETHER YOU WANT TO EXPLAIN TO US WHAT HAPPENED. 757 00:31:44,210 --> 00:31:46,170 I WENT TO SEE HIM. 758 00:31:46,210 --> 00:31:48,580 I MEAN NICK. I THOUGHT, THIS IS MY SHOT. 759 00:31:48,610 --> 00:31:50,780 I COULD BRING HIM HOME. 760 00:31:50,820 --> 00:31:52,790 I COULD BE A HERO TO JOHN. 761 00:31:52,820 --> 00:31:55,090 MEANTIME, YEAH, I COULD WORK ON HIM. 762 00:31:55,120 --> 00:31:57,820 HE DIDN'T WANT THAT MONEY. IT WAS JUST SITTING THERE. 763 00:31:57,860 --> 00:31:59,200 SO YOU BROUGHT A KNIFE? 764 00:31:59,220 --> 00:32:01,520 NICK WAS TALKING ABOUT THESE GUYS COMING TO KILL HIM. 765 00:32:01,560 --> 00:32:03,520 I FIGURED I SHOULD HAVE PROTECTION. 766 00:32:03,560 --> 00:32:05,260 I FOUND HIM OUTSIDE THE DINER. 767 00:32:05,300 --> 00:32:07,770 I SAID WE COULD TAKE HIS SHOPPING CART IN MY TRUCK, 768 00:32:07,800 --> 00:32:09,770 BUT HE DIDN'T WANT TO COME. 769 00:32:09,800 --> 00:32:11,700 NO, HE FLIPPED OUT, JUST CAME AT ME. 770 00:32:11,740 --> 00:32:15,880 I HAVE NO DOUBT IN MY MIND THAT HE WOULD HAVE KILLED ME. 771 00:32:15,910 --> 00:32:17,680 I HAD NO CHOICE. 772 00:32:17,710 --> 00:32:19,780 I WAS IN FEAR FOR MY LIFE. 773 00:32:19,810 --> 00:32:21,280 OKAY, THAT'S GOOD. 774 00:32:21,310 --> 00:32:23,850 WHY DON'T YOU WRITE THAT ONE DOWN? 775 00:32:23,880 --> 00:32:26,310 AND WE'LL MAKE A CALL TO THE D. A. 776 00:32:38,830 --> 00:32:41,300 THIS GUY IN THERE THINKS HE'S PUTTING ONE OVER 777 00:32:41,330 --> 00:32:43,900 ON US DUMB COPS WITH THAT STORY. 778 00:32:43,940 --> 00:32:45,540 TRY AND RELAX, DANNY. 779 00:32:45,570 --> 00:32:48,240 I CAN'T. I FEEL LIKE I'M INVOLVED. 780 00:32:48,270 --> 00:32:49,570 YEAH, I GOT THAT. 781 00:32:49,610 --> 00:32:51,970 ARE YOU SAYING YOU NEVER TUNED ANYONE UP 782 00:32:52,010 --> 00:32:53,580 THAT YOU KNEW WAS GUILTY? 783 00:32:53,610 --> 00:32:55,580 THE POINT IS, THAT'S ALL IT WAS, 784 00:32:55,610 --> 00:32:57,580 NOT ABOUT GETTING OUT YOUR FRUSTRATIONS, 785 00:32:57,620 --> 00:32:58,760 LOSING YOUR HEAD. 786 00:32:58,780 --> 00:33:00,350 I DON'T THINK THAT'S WHAT I WAS DOING. 787 00:33:00,380 --> 00:33:01,720 OKAY, THEN. 788 00:33:01,750 --> 00:33:05,190 LONG AS YOU KNOW THE DIFFERENCE. 789 00:33:05,220 --> 00:33:09,390 I JUST SAID I DID. 790 00:33:14,970 --> 00:33:16,470 OKAY. 791 00:33:19,940 --> 00:33:22,400 I'M WRITING IT ALL DOWN, AS PLAIN AS I CAN. 792 00:33:22,440 --> 00:33:24,540 WE GOT A LITTLE PROBLEM, ROSS. 793 00:33:24,580 --> 00:33:25,920 WHAT KIND OF PROBLEM? 794 00:33:25,940 --> 00:33:27,380 WE JUST SPOKE WITH THE D. A., 795 00:33:27,410 --> 00:33:29,080 WHO TALKED TO THE MEDICAL EXAMINER. 796 00:33:29,110 --> 00:33:31,850 SEEMS LIKE NICHOLAS' WOUNDS AREN'T CONSISTENT TO YOUR STORY. 797 00:33:31,880 --> 00:33:33,080 WHAT DO YOU MEAN? 798 00:33:33,120 --> 00:33:35,360 HE'S GOT CUTS ALL OVER HIS FINGERS, 799 00:33:35,390 --> 00:33:37,030 WHICH THE M.E. MAKES AS DEFENSIVE WOUNDS, 800 00:33:37,060 --> 00:33:38,760 PLUS HE'S GOT TWO ENTRY WOUNDS IN THE BACK. 801 00:33:38,790 --> 00:33:39,920 THAT DON'T MATCH UP TOO WELL 802 00:33:39,960 --> 00:33:41,290 WITH YOUR CLAIM OF SELF‐DEFENSE. 803 00:33:41,330 --> 00:33:42,570 I DON'T KNOW IF I'D WANT TO GO UP 804 00:33:42,590 --> 00:33:43,860 AGAINST A JURY WITH THAT, 805 00:33:43,900 --> 00:33:45,300 NOT ON A CHARGE OF MURDER ONE. 806 00:33:45,330 --> 00:33:46,960 YOU GOT TO HELP YOURSELF HERE, ROSS. 807 00:33:47,000 --> 00:33:48,860 HOW? 808 00:33:48,900 --> 00:33:50,700 TRY THE TRUTH. 809 00:33:50,740 --> 00:33:53,650 YOU HAD PRESSING DEBTS. YOU WERE GETTING THREATENED. 810 00:33:53,670 --> 00:33:56,070 YOU GOT A DRUG PROBLEM. YOU WEREN'T IN YOUR RIGHT MIND. 811 00:33:56,110 --> 00:33:59,150 I HAVE NEVER DONE ANYTHING REMOTELY LIKE THIS BEFORE. 812 00:33:59,180 --> 00:34:02,090 NO, YOU'LL PROBABLY NEVER DO NOTHING LIKE IT AGAIN. 813 00:34:02,110 --> 00:34:04,410 I'LL MAKE A STATEMENT EXPLAINING HOW IT WAS 814 00:34:04,450 --> 00:34:06,750 JUST SOME INSANE, SPUR‐OF‐THE‐MOMENT THING. 815 00:34:06,790 --> 00:34:08,630 THAT'S PROBABLY YOUR BEST TACTIC. 816 00:34:08,650 --> 00:34:11,420 WOULD YOU TALK TO MY WIFE AND HER DAD 817 00:34:11,460 --> 00:34:12,560 ABOUT GETTING ME A LAWYER? 818 00:34:12,590 --> 00:34:13,990 SURE. WE'LL DO THAT. 819 00:34:14,030 --> 00:34:15,530 NOW WRITE THE TRUTH. 820 00:34:28,510 --> 00:34:32,150 THE, UH, COUPLE OVER ON EAST 13th? 821 00:34:32,180 --> 00:34:34,620 PRELIMINARY M.E. REPORT TAGS IT MURDER/SUICIDE. 822 00:34:34,650 --> 00:34:36,290 YOU HAVE A PROBLEM WITH THAT? 823 00:34:36,310 --> 00:34:38,780 JUST THE WIFE WORKS DISPATCH AT CITIWIDE COURIER, 824 00:34:38,820 --> 00:34:39,990 SAME AS HARRY DENBY. 825 00:34:40,020 --> 00:34:41,020 I MADE A CALL. 826 00:34:41,050 --> 00:34:42,950 DENBY'S BEEN MOVED TO DISPATCH, 827 00:34:42,990 --> 00:34:44,660 SAME OFFICE AS THE D. O. A. 828 00:34:44,690 --> 00:34:46,620 PLUS, TARU'S CHECKING HER P. C. 829 00:34:46,660 --> 00:34:48,820 SENT A PRINTOUT OF HER E‐MAIL ADDRESSES. 830 00:34:48,860 --> 00:34:50,160 hdenby@citiwidecourier.com. 831 00:34:50,190 --> 00:34:52,490 THEY'RE WORKING TOGETHER. THAT COULD EXPLAIN IT. 832 00:34:52,530 --> 00:34:54,200 DID THEY FIND ANY CORRESPONDENCE? 833 00:34:54,230 --> 00:34:55,800 IF THERE WERE, SHE MUST HAVE DELETED IT. 834 00:34:55,830 --> 00:34:57,000 TARU'S STILL WORKING ON IT. 835 00:34:57,040 --> 00:34:58,640 MEANTIME, I LEFT WORD FOR DENBY. 836 00:35:00,810 --> 00:35:02,710 ROSS MADE A STATEMENT. 837 00:35:05,010 --> 00:35:07,280 ELLEN TELLS ME YOU BROUGHT ROSS BACK 838 00:35:07,310 --> 00:35:08,380 FOR MORE QUESTIONS. 839 00:35:08,410 --> 00:35:10,680 UH, MR. GILBERT, 840 00:35:10,720 --> 00:35:12,660 I'M VALERIE HAYWARD WITH THE D. A.'s OFFICE. 841 00:35:12,680 --> 00:35:14,350 WE JUST TOOK A VIDEO STATEMENT FROM HIM. 842 00:35:14,390 --> 00:35:16,230 A STATEMENT? WHAT KIND OF STATEMENT? 843 00:35:16,250 --> 00:35:19,520 SAYING... 844 00:35:19,560 --> 00:35:20,790 HE KILLED YOUR SON. 845 00:35:20,830 --> 00:35:23,370 OH, MY GOD. 846 00:35:23,390 --> 00:35:25,790 I TOLD ROSS I'D ASK YOU FOR HIM ‐‐ 847 00:35:25,830 --> 00:35:28,130 HE WANTED HELP GETTING A LAWYER. 848 00:35:28,170 --> 00:35:32,140 ROSS WANTS US TO HELP HIM GET A LAWYER? 849 00:35:32,170 --> 00:35:35,700 HE'S GOING TO HAVE TO KILL ME NEXT. 850 00:35:35,740 --> 00:35:37,570 THAT'S YOUR ANSWER, DETECTIVE. 851 00:35:37,610 --> 00:35:40,180 TELL ROSS HE'S ON HIS OWN. 852 00:35:41,750 --> 00:35:43,090 I'M SORRY FOR YOUR LOSS. 853 00:35:43,110 --> 00:35:44,910 DADDY, I'M SO SORRY. 854 00:35:44,950 --> 00:35:47,580 THANK YOU FOR ALL YOUR HELP. 855 00:35:47,620 --> 00:35:48,980 OH, DETECTIVE, 856 00:35:49,020 --> 00:35:52,990 NICKY KEPT A PHOTO OF THE TWO OF US. 857 00:35:53,020 --> 00:35:56,490 DID YOU SEE IT AMONG HIS THINGS? 858 00:35:56,530 --> 00:35:58,670 CONSIDERING ROSS HAS ALREADY GIVEN A STATEMENT, 859 00:35:58,700 --> 00:36:00,010 I DON'T SEE HOW IT COULD HURT 860 00:36:00,030 --> 00:36:02,560 IF YOU CAN FIND IT. 861 00:36:03,870 --> 00:36:05,770 DETECTIVE SORENSON? PHONE. 862 00:36:07,110 --> 00:36:08,910 SORENSON. 863 00:36:08,940 --> 00:36:11,140 IS THIS THE ONE? 864 00:36:16,580 --> 00:36:19,780 THANK YOU. 865 00:36:24,490 --> 00:36:28,360 YOU CAN'T TELL ME ON THE PHONE? 866 00:36:28,390 --> 00:36:29,460 NO. 867 00:36:31,460 --> 00:36:34,300 ALL RIGHT, I'LL COME AND MEET YOU. WHEN? 868 00:36:34,330 --> 00:36:36,970 THAT WAS DENBY. 869 00:36:37,000 --> 00:36:39,200 HE'S OUTSIDE. HE WANTS TO SEE ME ALONE. 870 00:36:39,240 --> 00:36:41,210 THAT'S PROBABLY OFF MY LEAVING HIM TWO MESSAGES 871 00:36:41,240 --> 00:36:42,370 ABOUT THIS D. O. A. 872 00:36:42,410 --> 00:36:43,580 HE WORKED WITH AT CITIWIDE COURIER. 873 00:36:43,610 --> 00:36:45,810 DIANE, I'M NOT MOVING IN ON YOUR CASE. 874 00:36:45,840 --> 00:36:47,540 HE ASKED TO TALK TO ME. YOU WANT ME TO SEE HIM OR NOT? 875 00:36:47,580 --> 00:36:48,740 THAT SHOULD BE ME HE'S TALKING TO. 876 00:36:48,780 --> 00:36:51,980 THEN BY ALL MEANS, YOU GO DOWN AND TALK TO HIM. 877 00:36:54,320 --> 00:36:56,050 THE D. O. A.'s NAME IS YVONNE RUIZ. 878 00:36:56,090 --> 00:36:58,660 SHE AND HER HUSBAND LOOK LIKE A MURDER/SUICIDE, 879 00:36:58,690 --> 00:37:01,290 BUT SHE'S GOT DENBY'S E‐MAIL ADDRESS IN HER COMPUTER. 880 00:37:01,330 --> 00:37:02,770 I GOT IT. 881 00:37:19,640 --> 00:37:20,780 THANKS FOR MEETING ME. 882 00:37:20,810 --> 00:37:22,580 YEAH, GREAT. I WOULDN'T MISS YOU. 883 00:37:22,610 --> 00:37:24,310 OOH, I DETECT A NOTE OF SARCASM. 884 00:37:24,350 --> 00:37:25,610 IT'S COLD OUT, DENBY. 885 00:37:25,650 --> 00:37:28,680 A COWORKER OF MINE DIED TODAY ‐‐ YVONNE RUIZ. 886 00:37:28,720 --> 00:37:30,650 I GOT A MESSAGE FROM DETECTIVE RUSSELL. 887 00:37:30,690 --> 00:37:32,190 I FIGURE SHE CAUGHT THE CASE. 888 00:37:32,220 --> 00:37:33,920 SO THEN YOU ALSO FIGURE 889 00:37:33,960 --> 00:37:36,160 YOU'D TALK TO ME AND NOT DETECTIVE RUSSELL. 890 00:37:36,190 --> 00:37:37,430 YVONNE RUIZ WAS 891 00:37:37,460 --> 00:37:40,000 A VERY ATTRACTIVE YOUNG WOMAN. 892 00:37:40,030 --> 00:37:41,930 SHE CAME ON TO ME. 893 00:37:41,970 --> 00:37:45,480 WITH MY LOW SELF‐ESTEEM, I CAN'T RESIST THAT. 894 00:37:45,500 --> 00:37:47,940 SO YOU HAD AN AFFAIR, RIGHT? 895 00:37:47,970 --> 00:37:49,170 WHAT DID HER HUSBAND THINK? 896 00:37:49,210 --> 00:37:50,880 YVONNE COMPLETELY MISREPRESENTED 897 00:37:50,910 --> 00:37:52,110 HER DOMESTIC SITUATION. 898 00:37:52,140 --> 00:37:53,780 WHEN I FOUND OUT SHE WAS MARRIED, 899 00:37:53,810 --> 00:37:55,940 I BROKE IT OFF, BUT HER HUSBAND FOUND OUT. 900 00:37:55,980 --> 00:37:57,280 SHE TOLD YOU THAT. 901 00:37:57,320 --> 00:37:58,690 HE CAME TO SEE ME. 902 00:37:58,720 --> 00:38:01,460 HE THREATENED IF I EVER LAID HANDS ON YVONNE AGAIN, 903 00:38:01,490 --> 00:38:03,390 HE'D, UH, WHAT WAS IT? 904 00:38:03,420 --> 00:38:05,150 SLICE MY BALLS OFF. 905 00:38:05,190 --> 00:38:06,450 VERY DRAMATIC, 906 00:38:06,490 --> 00:38:07,690 THOUGH, IN HINDSIGHT, 907 00:38:07,730 --> 00:38:08,970 I GUESS HE DID HAVE A VIOLENT STREAK. 908 00:38:08,990 --> 00:38:10,230 BEING HOW HE KILLED HER. 909 00:38:10,260 --> 00:38:12,390 I STILL DON'T GET HOW COME YOU'RE TALKING TO ME 910 00:38:12,430 --> 00:38:14,330 IF THIS IS DETECTIVE RUSSELL'S CASE. 911 00:38:14,370 --> 00:38:16,510 COME ON, DANNY. A MURDER/SUICIDE, 912 00:38:16,530 --> 00:38:19,640 ME COMING FORTH TO ADMIT A ROMANTIC ENTANGLEMENT ‐‐ 913 00:38:19,670 --> 00:38:21,700 CONSIDERING MY PAST WITH DIANE, 914 00:38:21,740 --> 00:38:23,000 IT COULD GET MESSY. 915 00:38:23,040 --> 00:38:24,810 WHAT'S WITH THESE VEILED COMMENTS 916 00:38:24,840 --> 00:38:26,740 YOU'RE ALWAYS MAKING, DENBY, HUH? 917 00:38:26,780 --> 00:38:29,550 WHY DON'T YOU COME OUT AND JUST SAY WHAT YOU MEAN? 918 00:38:29,580 --> 00:38:32,010 SHE'S YOUR GIRL NOW. I CAN'T REVEAL TO YOU 919 00:38:32,050 --> 00:38:33,920 ANY OF HER MYSTERIES OR TALENTS 920 00:38:33,950 --> 00:38:36,550 THAT YOU HAVEN'T ALREADY DISCOVERED YOURSELF, 921 00:38:36,590 --> 00:38:37,750 THOUGH I MUST ADMIT, 922 00:38:37,790 --> 00:38:39,760 WITH A GORGEOUS WOMAN LIKE DIANE, 923 00:38:39,790 --> 00:38:41,660 I AM TEMPTED TO COMPARE NOTES. 924 00:38:41,690 --> 00:38:42,720 I'M NOT. 925 00:38:42,760 --> 00:38:44,230 PERHAPS SOME OTHER TIME. 926 00:38:59,280 --> 00:39:02,050 WHAT DID DENBY HAVE TO SAY? 927 00:39:02,080 --> 00:39:04,580 HE WAS BANGING THE D. O. A. 928 00:39:04,620 --> 00:39:05,760 THAT'S IT? 929 00:39:05,780 --> 00:39:07,950 YOU MEAN OTHER THAN REMINISCING BACK 930 00:39:07,990 --> 00:39:10,600 WHEN YOU AND HIM USED TO PLAY BOUNCY‐BOUNCY? 931 00:39:10,620 --> 00:39:11,950 AND YOU BELIEVE THAT? 932 00:39:11,990 --> 00:39:13,590 WHATEVER, DIANE. DOESN'T MATTER. 933 00:39:13,630 --> 00:39:15,100 OH, IT DOESN'T. 934 00:39:15,130 --> 00:39:17,100 NONE OF MY BUSINESS. 935 00:39:17,130 --> 00:39:18,630 YOU KNOW WHAT, DANNY? 936 00:39:18,660 --> 00:39:19,730 GROW UP. 937 00:39:35,810 --> 00:39:38,480 IT'S AN INSULT, DANNY. 938 00:39:38,520 --> 00:39:41,290 YOU REALLY THINK I'D SLEEP WITH SOMEONE LIKE DENBY? 939 00:39:41,320 --> 00:39:43,220 I DON'T KNOW, DIANE. ALL I KEPT HEARING ABOUT 940 00:39:43,250 --> 00:39:44,920 IS HOW YOU WERE STILL HUNG UP ON BOBBY. 941 00:39:44,960 --> 00:39:46,600 AND YOU THINK THAT WAS ALL CRAP? 942 00:39:46,630 --> 00:39:47,770 I DON'T KNOW WHAT I THINK. 943 00:39:47,790 --> 00:39:49,660 YOU'RE BEING SUCH AN ASSHOLE, DANNY! 944 00:39:49,690 --> 00:39:50,960 I'M AN ASSHOLE? 945 00:39:51,000 --> 00:39:52,770 I'M SORRY THINGS DIDN'T WORK OUT WITH US. 946 00:39:52,800 --> 00:39:54,940 DOESN'T GIVE YOU A LICENSE TO ACT LIKE A 2‐YEAR‐OLD. 947 00:39:54,970 --> 00:39:56,340 AND WHATEVER TROUBLES YOU'VE HAD 948 00:39:56,370 --> 00:39:58,080 IS NO EXCUSE FOR YOU ACTING ANY WAY YOU WANT NOW. 949 00:39:58,100 --> 00:39:59,270 I DON'T OWE YOU AN EXPLANATION. 950 00:39:59,300 --> 00:40:01,800 GOOD, 'CAUSE I'M NOT LISTENING. 951 00:40:03,840 --> 00:40:05,770 [ DOOR SLAMS ] 952 00:40:05,810 --> 00:40:08,140 [ FOOTSTEPS ] 953 00:40:08,180 --> 00:40:10,550 [ DOOR SLAMS ] 954 00:40:32,840 --> 00:40:35,380 THERE'S THIS BOXER GYM OVER ON THIRD ‐‐ THE LIDO. 955 00:40:35,410 --> 00:40:36,980 HOW ABOUT WE GO DOWN THERE? 956 00:40:37,010 --> 00:40:39,010 YOU CAN TAKE IT OUT ON THE HEAVY BAG, 957 00:40:39,040 --> 00:40:41,110 I'LL YELL AT YOU TO KEEP YOUR LEFT UP. 958 00:40:41,150 --> 00:40:43,190 NO, I'M GOOD RIGHT HERE. 959 00:40:46,150 --> 00:40:48,680 [ SIGHS ] 960 00:40:50,660 --> 00:40:53,570 YOU'RE HEADING FOR TROUBLE. THE ONLY QUESTION IS, 961 00:40:53,590 --> 00:40:55,960 HOW DEEP A HOLE ARE YOU GOING TO DIG, 962 00:40:55,990 --> 00:40:58,230 AND IF IT'S GOING TO END UP BEING ONE 963 00:40:58,260 --> 00:41:00,300 THAT YOU CAN'T GET BACK OUT OF. 964 00:41:00,330 --> 00:41:04,170 ANDY, YOU GOT TO LET ME RIDE THIS OUT ON MY OWN. 965 00:41:04,200 --> 00:41:07,900 YOU MAY NOT LIKE IT, BUT THAT'S THE WAY IT IS. 966 00:41:07,940 --> 00:41:12,070 I CAN DO THAT. 967 00:41:12,110 --> 00:41:15,840 THEN IT LOOKS LIKE WE GOT A DEAL. 968 00:41:15,880 --> 00:41:16,980 WELL... 969 00:41:17,020 --> 00:41:20,690 YOU KNOW WHO TO GO TO IF YOU NEED ANYTHING. 970 00:41:20,720 --> 00:41:22,720 THANKS. 971 00:41:45,280 --> 00:41:47,190 I'M GLAD HE WARNED ME. 972 00:41:47,210 --> 00:41:48,180 ABOUT WHAT? 973 00:41:48,210 --> 00:41:49,410 ABOUT COPS. 974 00:41:49,450 --> 00:41:51,860 OR DOES THAT TERM NOT APPLY TO YOU 975 00:41:51,880 --> 00:41:53,750 'CAUSE YOU'RE A DETECTIVE? 976 00:41:53,790 --> 00:41:57,860 NO, "COPS" IS FINE. WHAT DID HE WARN YOU ABOUT? 977 00:41:57,890 --> 00:42:01,620 THAT YOU ONLY REALLY OPEN UP TO OTHER COPS. 978 00:42:01,660 --> 00:42:04,130 I'VE BEEN A LITTLE QUIET? 979 00:42:04,160 --> 00:42:06,260 A LITTLE, WHICH IS FINE, 980 00:42:06,300 --> 00:42:10,810 BUT I WANT YOU TO KNOW YOU CAN SHARE ANYTHING WITH ME 981 00:42:10,840 --> 00:42:12,680 IF YOU FEEL LIKE IT. 982 00:42:19,910 --> 00:42:21,580 MY PARTNER, UH... 983 00:42:21,610 --> 00:42:23,750 HE WAS SEEING SOMEBODY. 984 00:42:23,780 --> 00:42:26,650 THEY BROKE IT OFF AND, UH... 985 00:42:26,690 --> 00:42:30,060 HE'S NOT DOING TOO GOOD ABOUT IT. 986 00:42:30,090 --> 00:42:33,250 THE DANGER WITH THAT ON THIS JOB 987 00:42:33,290 --> 00:42:36,390 IS THAT IF YOU WANT, YOU CAN... 988 00:42:36,430 --> 00:42:38,970 TAKE IT OUT ON SOMEBODY. 989 00:42:39,000 --> 00:42:40,410 THAT'S RIGHT. 990 00:42:40,430 --> 00:42:41,760 20 YEARS AGO, 991 00:42:41,800 --> 00:42:43,900 WHAT HAPPENED IN A ROOM STAYED THERE. 992 00:42:43,940 --> 00:42:45,780 NOW YOU'RE IN THE NEWS. 993 00:42:45,800 --> 00:42:49,240 AND OFF THE JOB. 994 00:42:49,270 --> 00:42:52,440 I'M SORRY I'VE BEEN PREOCCUPIED. 995 00:42:52,480 --> 00:42:53,620 IT'S OKAY. 996 00:42:53,650 --> 00:42:55,690 DO YOU HAVE TIME TO COME UP FOR A LITTLE WHILE? 997 00:43:03,220 --> 00:43:05,520 I GOT A BABYSITTER WHO'S WAITING. 998 00:43:05,560 --> 00:43:07,470 GO HOME. 999 00:43:07,490 --> 00:43:10,560 I HAD A GREAT NIGHT, THOUGH. 1000 00:43:14,330 --> 00:43:15,830 SO DID I. 1001 00:43:22,170 --> 00:43:23,170 THANKS.